Note: This review was originally published as part of our 2024 Filmfest Hamburg coverage. Love opens in theaters on May 16.
It takes confidence to name ...
Note: This review was originally published as part of our 2022 Fantasia coverage. Next Sohee opens in theaters on May 16.
And here I thought capitalism's ho...
Nearly 92, more controversial than ever, and coming off perhaps the least-liked film of his career, Roman Polanski has not entirely been expected to direct aga...
German writer-director Mascha Schilinski’s sophomore feature Sound of Falling is the first competition title to screen at Cannes this year. If it’s anythin...
“I'm going to miss being disreputable,” Ving Rhames’ Luther Stickell grumbles to Tom Cruise's now-iconic superspy after their first of many impossible missions...
When I spoke to Alan Rudolph a couple months ago, he confirmed that Criterion had sought to release his (incredible, essential) Remember My Name but were held ...
Ever since Turn on the Bright Lights debuted in the summer of 2002, Interpol frontman Paul Banks has been the epicenter of cool. Trying his hand at a variety o...
Note: This review was originally published as part of our 2024 NYFF coverage. The Damned opens in theaters on May 16.
Robert Minervini’s The Damned&nbs...
Frequent festival-goers learn not to expect much from opening films. Quality is but one of many factors that lead to the selection for this symbolic slot. In o...
Having found success with Howard Hawks' Rio Bravo and an IB Technicolor print of Marlon Brando's One-Eyed Jacks, it seemed only logical to play the middle grou...
