For her debut, writer-director Paula Andrea González-Nasser chose to explore an oft-forgotten role in the filmmaking process: the location scout. The Scout fol...
Oscar Boyson’s debut feature Our Hero Balthazar is a big swing that mostly works: an uncompromising satire about the crisis facing young men in America. Mascul...
A challenging film to both review and market without spoiling, Paul Andrew Williams’ Dragonfly largely succeeds because it never quite telegraphs where it’s go...
Michael Angelo Covino and Kyle Marvin know no sophomore slump. The best-friend filmmakers––who met acting opposite each other in a commercial 15 years ago ...
In 1978, journalist Elizabeth Becker was one of three westerners granted permission to enter Cambodia while under the communist rule of the Khmer Rouge. “We we...
The first words we hear in Brandon Kramer’s Holding Liat are spoken, over the phone, by a person named in the subtitles as "Israeli Army liaison." In this shor...
A fact often gone unacknowledged is that, as we age, our desires unwittingly change. When it does, the terms we used to define ourselves and those around us mu...
Note: This review was originally published as part of the U.K. release. Emmanuelle arrived on VOD in the U.S. on June 6.
The most striking thing about Audre...
As humanity continues mining Earth’s resources with wanton abandon, the concerns of those with the most influence have been towards the skies––the space dreams...
Tel Aviv native, defector, and auteur Nadav Lapid opens his fifth feature in a catastrophic state of carouse. A filmmaker known for his employment of trade...
