Note: This review was originally published as part of our 2025 Fantastic Fest coverage. The film opens in theaters on February 13.
I didn’t realize just how...
Note: This review was originally published as part of our 2025 BFI London coverage. The film opens in theaters on February 13.
Telling an authentic, politic...
Note: This review was originally published as part of our 2025 Sundance coverage. The film opens in theaters on February 13.
Offering a twist on the body-sw...
Spoiler culture may be one of the lowest forms of film conversation, but there are times when it simply must be invoked. This is to say that Nirvanna the B...
Is the sight of the human tongue really so shocking? Were 1996 audiences ducking in their seats à la L'Arrivée d'un train en gare de La Ciotat when Matthew Lil...
Seven years after collaborating on The Plagiarists, writers James N. Kienitz Wilkins and Robin Schavoir return with The Misconceived—another incisive, inventiv...
Forget misunderstood hacks and generational talents. There's nothing quite like a consistent studio hand (with a solid 3- or 4-star batting average) who flies ...
The jealousy of unhappy couples. The pettiness of mean girls. The frustration of insecure husbands. It’s a tale as old as time that's curiously interpreted...
Taking on the art world is notoriously difficult—it’s already too ridiculous, and so the heightening of reality necessary for proper satire doesn’t work. There...
Working with her sister Anna—a 38-year-old Korean adoptee with a developmental disability—director Liz Sargent’s sensitive drama Take Me Home is both witty and...
