Often hilarious and moving, Adele Lim’s anticipated directorial debut Joy Ride takes the girls-trip formula (see: Bridesmaids and, of course, Girls Trip) in bo...
For movie nerds like yours truly who grew up in the late 90s and early 2000s on films like Gregg Araki’s The Doom Generation and Rob Schmidt’s Crime and Punish...
Investigating the nature of altruism, director Penny Lane turns the camera on herself in Confessions of a Good Samaritan, showing her process as an organ donor...
Winner of the Un Certain Regard at last year’s Cannes Film Festival, Lise Akoka and Romane Gueret’s The Worst Ones arrives in the U.S. with a certain amount of...
A century from publication, Virginia Woolf’s Orlando: A Biography is still in vogue. Just before the pandemic, Tilda Swinton––who played Orlando in Sally Potte...
Categorized as a documentary by the filmmakers and programmers of SXSW, Liza Mandelup’s Caterpillar has a lucid structure that feels like a loose, improvised s...
There is a go-for-broke, frenzied aura upon John Wick: Chapter 4. Even for a franchise so heavily steeped in bullets and body count, this outing finds a way to...
Rachel Sennott continued her impressive run as a quick-witted, creatively vulgar comic in Bottoms, which premiered during South By Southwest’s second night. Bu...
The appeal of a Dungeons & Dragons campaign is in creating weird, wonderful characters of your own and throwing them into a wide array of quests: no two ga...
Like the latest Scream installment, Evil Dead Rise takes its horror into an urban landscape, grappling with demonic forces––e.g. motherhood––that are sometimes...
