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Exclusive: KimStim Acquires Oliver Laxe’s ‘Fire Will Come’ for 2020 Release November 8, 2019 Lady Gaga to Lead Ridley Scott’s Gucci Family Drama November 4, 2019 Wong Kar-wai’s ‘Blossoms’ to Become a Series Before Feature Film November 4, 2019 Elaine May to Direct First Narrative Feature in 30+ Years with Dakota Johnson-Led ‘Crackpot’ November 2, 2019 Watch Hannah Gross Attempt to Carry a Mattress in New Short ‘Moving’ November 1, 2019 Download the 2019 Awards Season Screenplays November 1, 2019 David Michôd’s 10 Favorite Films November 1, 2019 Paul Schrader Sets New Film ‘The Card Counter’ with Oscar Isaac October 29, 2019 A New Box Office Mojo is Being Rebuilt by the Community October 28, 2019 Martin Scorsese and Spike Lee Discuss ‘The Irishman,’ Trump, Death, and the Female Perspective October 27, 2019
Trailers More
‘Knives and Skin’ Trailer: A Disappearance Occurs in Acclaimed Neo-Noir Mystery November 11, 2019 ‘Away’ Trailer Previews a Dialogue-Free, One-Man Crew Animation November 11, 2019 Willem Dafoe Lives a Version of Abel Ferrara’s Life in First Trailer for ‘Tommaso’ November 11, 2019 First Trailer for Reverse Shot’s Feature ‘Feast of the Epiphany’ Blends Narrative and Documentary Storytelling November 8, 2019 ‘The Invisible Man’ is Here to Haunt Elisabeth Moss in First Trailer November 7, 2019 First Trailer for Pixar’s ‘Soul’ Poses Existential Questions November 7, 2019

Interviews More
Cinematographer Rodrigo Prieto on the Visual Storytelling of ‘The Irishman’ and Collaborating with Martin Scorsese November 11, 2019 Joanna Hogg on ‘The Souvenir: Part II,’ Resisting Nostalgia, and Losing Robert Pattinson November 6, 2019 Edward Norton on the Journey of ‘Motherless Brooklyn,’ Alec Baldwin as Trump, and ‘Star Wars’ October 31, 2019 Song Kang-ho on Father Figures, Not Having a Plan, and Why ‘Parasite’ is the Culmination of Bong Joon-ho’s Career October 31, 2019



Festival Coverage

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Cinematographer Rodrigo Prieto on the Visual Storytelling of ‘The Irishman’ and Collaborating with Martin Scorsese November 11, 2019 Thessaloniki Review: Anthony Chen’s ‘Wet Season’ is a Sweet Singaporean Melodrama November 9, 2019 BIFF Review: ‘Online Billie’ is a Sex Worker Drama with a Misguided Message October 21, 2019 BIFF Review: ‘Working Man’ Explores the Worries and Values in a Rust Belt Town October 18, 2019