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David Fincher and Robert Towne Team for ‘Chinatown’ Prequel Series at Netflix November 18, 2019 Paul Thomas Anderson’s Next Film to Begin Production in February November 12, 2019 Exclusive: KimStim Acquires Oliver Laxe’s ‘Fire Will Come’ for 2020 Release November 8, 2019 Lady Gaga to Lead Ridley Scott’s Gucci Family Drama November 4, 2019 Wong Kar-wai’s ‘Blossoms’ to Become a Series Before Feature Film November 4, 2019 Elaine May to Direct First Narrative Feature in 30+ Years with Dakota Johnson-Led ‘Crackpot’ November 2, 2019 Watch Hannah Gross Attempt to Carry a Mattress in New Short ‘Moving’ November 1, 2019 Download the 2019 Awards Season Screenplays November 1, 2019 David Michôd’s 10 Favorite Films November 1, 2019 Paul Schrader Sets New Film ‘The Card Counter’ with Oscar Isaac October 29, 2019
Trailers More
‘The Death and Life of John F. Donovan’ Trailer: Xavier Dolan’s Drama Finally Gets U.S. Release November 18, 2019 ‘A Million Little Pieces’ Red Band Trailer: Aaron Taylor-Johnson’s Life Falls Apart November 14, 2019 Ben Affleck Finds ‘The Way Back’ in First Trailer for Gavin O’Connor’s Sports Drama November 14, 2019 New Trailer for Michael Bay’s Netflix Action Feature ‘6 Underground’ Starring Ryan Reynolds November 14, 2019 Kristen Stewart is Under Surveillance in First Trailer for ‘Seberg’ November 13, 2019 Blumhouse Gives a Dark Makeover to ‘Fantasy Island’ in First Trailer November 12, 2019

Interviews More
‘Shadow’ Cinematographer Zhao Xiaoding on Zhang Yimou’s Style and the Principle for Great Action Filmmaking November 18, 2019 Mati Diop on Her Feature Debut ‘Atlantics,’ Giving Meaning to Lost Lives, and the Hysteria of Cannes November 15, 2019 Cinematographer Natasha Braier on the Response to ‘The Neon Demon’ and the Playground of Music Videos November 15, 2019 ‘Parasite’ Stars Park So-dam and Choi Woo-shik on Breaking Barriers and Cultural Differences November 13, 2019



Festival Coverage

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‘Shadow’ Cinematographer Zhao Xiaoding on Zhang Yimou’s Style and the Principle for Great Action Filmmaking November 18, 2019 Thessaloniki Review: ‘Rialto’ is a Gorgeously Performed, Poignant Two-Hander on Guilt and Desire November 18, 2019 Cinematographer Natasha Braier on the Response to ‘The Neon Demon’ and the Playground of Music Videos November 15, 2019 Thessaloniki Review: ‘Atlantis’ is a Haunting Foray into a Post-War, Shell-Shocked Ukraine November 14, 2019