Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Harry Lighton’s Pillion was one of the highlights of last year’s Un Certain Regard at Cannes, garnering wide acclaim and a fair amount of titters for its frank...
The new year is in full swing with its January doldrums making way for another February chock full of Oscar-qualifying films receiving their limited an...
Forget misunderstood hacks and generational talents. There's nothing quite like a consistent studio hand (with a solid 3- or 4-star batting average) who flies ...
The jealousy of unhappy couples. The pettiness of mean girls. The frustration of insecure husbands. It’s a tale as old as time that's curiously interpreted...
A producer of the Zellner Brothers' Sasquatch Sunset, David Harari has completed his directorial debut, the indie comedy Tooth Shop Fiasco, which will make its...
Taking on the art world is notoriously difficult—it’s already too ridiculous, and so the heightening of reality necessary for proper satire doesn’t work. There...
Working with her sister Anna—a 38-year-old Korean adoptee with a developmental disability—director Liz Sargent’s sensitive drama Take Me Home is both witty and...
In a stray moment during Charlotte Zhang’s Tycoon, a young man says he stopped complaining to his landlord about the cockroaches invading his L.A. flat les...
NYC Weekend Watch is our weekly round-up of repertory offerings.
BAMMichael Almereyda's vampire film Nadja debuts in a long-overdue 4K restoration that play...
