There’s a moment in Midnight in Paris that strikes because of its simple beauty and melancholy. The seniors of Flint Northern High School’s Class of 2012 made ...
With his latest feature Genus Pan, the king of slow cinema Lav Diaz proves that even his fleet-footed efforts can be an unrelenting experience. Clocking in at ...
While much entertainment can be had from stories of successful, high-level crime families, tales of low-level crime syndicates are often far more impactful. Ca...
As an optimist that believes theatrical exhibition will survive, I look forward to the day when David Prior’s The Empty Man is introduced by a genre geek at an...
Throughout the whole of Don Herzfeldt's World of Tomorrow trilogy, one thing is always constant; even in a future of amazing technology, it will be the ineffab...
One of the few A-list stars to emerge the last few years, it's surprising it has taken this long for a film starring Margot Robbie to finally arrive, but her D...
Chilean director Sebastián Lelio has found acclaim with his Oscar-winning drama A Fantastic Woman, as well as Gloria and the English-language remake he directe...
With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...
Traditions don’t disappear overnight. They slip away slowly over decades, as elders die off and younger generations experience shifts in priority, social norms...
Documentarian Elizabeth Lo gravitates toward subjects who live and survive on the margins. Her amazing run of short non-fiction work bears this out. Hotel 22 (...
