Mother (Sophia Heikkilä) has the perfect family. The kind of family who would no doubt have made Adolf Hitler shed a single, wistful tear. It’s because of this...
Call Jane is a competently made, well-acted historical drama that doesn't give its charged subject matter the stakes or urgency it needs. Loosely based on The ...
Noa (Daisy Edgar-Jones) is a single woman trying to make it out there in a world where dating apps lead to uncomfortable dinners with gross, openly sexist man-...
Dual, Riley Stearns’ third feature following Faults and The Art of Self-Defense, establishes its endgame within the first five minutes. Opening on a split foot...
What makes the fabric of our upbringing? The memories we’ll reflect on after those years have passed are often not what we may hold onto in a moment filtered a...
It’s an eerie image. Richard Davis stands out in a field, wearing a kevlar vest, and points a pistol into his belly. Then he pulls the trigger, skips back a bi...
Though the different eras of global feminist thought are known as "waves," which implies successive awakenings of liberation and critique, the film world takes...
Over half a century after international slave trade was abolished in the United States, Timothy Meaher made a bet that he could transport a ship of captives fr...
There are great faces, and then there is Dale Dickey's face. Simply put, it is in a league of its own. The sole contender may be Wes Studi's. A Love Song, writ...
There’s an entire universe out there, even when it feels like your corner of the world has been turned upside down. Who has not felt like they’ve been roaming ...
