Looking for what to see in theaters? Our feature, updated weekly, highlights our top recommendations for films currently in theaters, from new releases to rest...
Note: This review was originally published as part of our 2026 SXSW coverage. The film opens in theaters on May 22.
A parody of dialectical materialism (you...
Note: This review was originally published as part of our 2025 Slamdance coverage. The film is now on the Letterboxd Video Store, opens in theaters on May 21, ...
In Ira Sachs’ last film, Peter Hujar’s Day, the director used a rigorous framing device––a purposefully banal interview that took place in 1974 between the epo...
After a surprise tease at the Super Bowl, we've been waiting for Netflix to share more about David Fincher's The Adventures of Cliff Booth, the Quentin Taranti...
László Nemes began his career on a mountaintop that he’s struggled to scale ever since. Son of Saul was the rare first film that not only premiered in competit...
Clio Barnard returns to Directors’ Fortnight after The Selfish Giant and Ali & Ava with an adaptation of Keiran Goddard’s novel I See Buildings Fall Li...
Do not adjust your sets or fear that you've lost consciousness. Marking one of the more intriguing director-actor pairings in God knows how long, Leos Carax ha...
Seemingly cornering the recent market on Hollywood star-driven, auteur-directed French productions after Olivier Assayas' The Wizard of the Kremlin last week, ...
Seen through a child’s eyes, the French Riviera suggests heaven on Earth. For the three at the heart of Bruno Dumont’s Red Rocks—Geo (Kaylon Lancel), Manon (Lo...
