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Andrew Dominik’s Marilyn Monroe Biopic ‘Blonde’ Eyes Ana de Armas to Lead March 18, 2019 Park Chan-wook’s ‘The Brigands of Rattlecreek,’ Scripted by S. Craig Zahler, Gets Revived at Amazon March 16, 2019 Ang Lee Preparing 120 Frames Per Second/4K/3D Release for ‘Gemini Man’ March 14, 2019 Listen to a Chopped and Screwed Remix of the ‘If Beale Street Could Talk’ Score March 11, 2019 Tribeca Film Festival 2019 Lineup Includes New Films from Abel Ferrara, Werner Herzog & More March 5, 2019 Mike Mills Directs New Short Film for The National Starring Alicia Vikander March 5, 2019 Listen: Robert Pattinson Sings in Tindersticks’ ‘Willow’ Music Video from ‘High Life’ March 5, 2019 Giveaway: Win Lee Chang-dong’s ‘Burning’ on Blu-ray March 5, 2019 Watch: Spike Jonze Advocates for Marijuana Legalization in New Bradford Young-Shot Short Film March 4, 2019 Colin Farrell Will Lead Kogonada’s ‘Columbus’ Follow-up ‘After Yang’ March 1, 2019
Trailers More
Take a Mesmerizing Trip in U.S. Trailer for Bi Gan’s ‘Long Day’s Journey Into Night’ March 14, 2019 First Teasers for Kiyoshi Kurosawa’s ‘To the Ends of the Earth’ March 14, 2019 Matt Smith is Charles Manson in First Trailer for Mary Harron’s ‘Charlie Says’ March 13, 2019 ‘The Professor and the Madman’ Trailer: Mel Gibson and Sean Penn Craft the Oxford English Dictionary March 12, 2019 Red Band Trailer for Seth Rogen-Produced ‘Good Boys’ Previews a Sixth-Grade ‘Superbad’ March 11, 2019 A Frontierswoman Faces an Evil Force in First Trailer for Supernatural Horror Western ‘The Wind’ March 11, 2019

Interviews More
‘Leaving Neverland’ Director Dan Reed on Refuting Michael Jackson Defenders, the Psychology of Child Sexual Abuse, and a Potential Sequel March 17, 2019 J.C. Chandor on Refuting the Auteur Theory, the Scope of ‘Triple Frontier,’ and Oscar Isaac as Donald Rumsfeld March 14, 2019 Jia Zhangke Talks ‘Ash is Purest White,’ the Village People, and Crafting a New Kind of Wuxia Movie March 13, 2019 Rupert Wyatt on Crafting a Realistic Alien Invasion, Jean-Pierre Melville, and ‘The Battle of Algiers’ March 13, 2019



Festival Coverage

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SXSW Review: ‘The Art of Self-Defense’ Artfully Creates a Hilarious Monster March 17, 2019 SXSW Review: ‘The Beach Bum’ is Hilarious, But May Cause a Hangover March 17, 2019 SXSW Review: ‘Pig Hag’ is an Assured Debut Feature That’s Equally Cruel and Sympathetic March 17, 2019 SXSW Review: ‘Nothing Stays The Same’ Plays a Transcendent Tune with a Formulaic Approach March 13, 2019