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Giveaway: Win Jordan Peele’s ‘Us’ and ‘Get Out’ on Blu-ray June 24, 2019 The Ontology of Hot Guys is Debated in Exclusive Clip from ‘The Plagiarists’ June 20, 2019 Watch Claire Denis’s Rare ‘Keep It for Yourself,’ Starring Vincent Gallo June 14, 2019 Clint Eastwood Sets Sam Rockwell and ‘BlackKklansman’ Actor for ‘Richard Jewell’ June 12, 2019 Terrence Malick Begins Shooting New Film ‘The Last Planet’ June 7, 2019 Woody Allen Sets Christoph Waltz, Louis Garrel, and Gina Gershon for New Feature June 4, 2019 Barry Jenkins to Direct Alvin Ailey Biopic for Fox Searchlight June 4, 2019 Abel Ferrara’s 10 Favorite Films May 31, 2019 ‘The Fits’ Team Anna Rose Holmer & Saela Davis to Direct Gothic Psychological Drama May 26, 2019 Bong Joon-ho Wins Palme d’Or for ‘Parasite’; See the Full List of Cannes 2019 Winners May 26, 2019
Trailers More
First Trailer for Ken Loach’s ‘Sorry We Missed You’ Follows a Family in Strife June 24, 2019 ‘The Peanut Butter Falcon’ Trailer Finds Shia LaBeouf, Dakota Johnson & Newcomer Zack Gottsagen on an Adventure June 24, 2019 First Trailer for Pippa Bianco’s Sundance Winner ‘Share’ Examines Sexual Assault in the 21st Century June 24, 2019 ‘Queen & Slim’ Trailer: Daniel Kaluuya and Jodie Turner-Smith Go on the Run in Lena Waithe-Scripted Thriller June 24, 2019 A Couple’s Life is Upended in Trailer for Acclaimed Comedy ‘The Plagiarists’ June 17, 2019 Anton Yelchin’s Enduring Legacy is Explored in the First Trailer for ‘Love, Antosha’ June 10, 2019

Interviews More
‘Diamantino’ Directors on Pure Entertainment, Ernst Lubitsch, and the Divinity of Sports May 23, 2019 Joanna Hogg on Finding the Heart of ‘The Souvenir,’ the Perfect Frame, and Looking Ahead to Part Two May 16, 2019 John Chester on ‘The Biggest Little Farm,’ How Fear Fuels the Climate Crisis, and Editing Inside a Barn May 14, 2019 Andrew Ahn on ‘Driveways,’ Queer Sensibilities, Uncynical Filmmaking, and the Art of Acting May 8, 2019



Festival Coverage

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BAMcinemaFest Review: Dominican Drama ‘De Lo Mio’ Excels Where Words Fail June 23, 2019 BAMcinemaFest Review: ‘Sunrise/Sunset’ Gazes on NYC as a Foreign Metropolis June 12, 2019 BAMcinemaFest Review: ‘The Hottest August’ is an Expressive, Expansive Portrait of Summer in NYC June 11, 2019 Cannes Review: ‘Atlantics’ Captures the Migrant Crisis Through a Ghost Tale of Perturbing Beauty June 11, 2019