Update: Image removed at the request of the producers.
While it's been five long years since the latest film from Nuri Bilge Ceylan, we did get a recent re-...
Although hailing from Belgium, Fabrice du Welz's debut Calvaire has been considered a staple of New French Extremity, as coined by James Quandt around the turn...
For Clay, the man at the center of The Civil Dead, there isn’t much happening in life. Portrayed by director and co-writer Clay Tatum, he’s an unemployed LA ph...
The mechanics and politics of the filmed sex scene are put under a microscope in Kristy Guevara-Flanagan’s documentary Body Parts. A useful primer for thinking...
Though adapting Paul G. Tremblay’s The Cabin at the End of the World, M. Night Shyamalan’s newest film takes a different approach. Knock at the Cabin is an exe...
The history of film is filled with fascinating symmetries, with Edison’s early kinescopes like Fred Ott’s Sneeze and The Kiss resembling the kinds of stories f...
Jamojaya begins with a bang. In an interview, up-and-coming rapper James (Brian “Rich Brian” Imanuel) fires his father (Yayu A.W. Unru) as his manager. The sto...
Early into Raine Allen-Miller’s Rye Lane, the London-set romantic comedy shows a sense of newness. Using fisheye lenses, zooming close-ups, and integrated flas...
It's of course common to overlook the Slamdance Film Festival, which boldly (nobly?) runs concurrent with a better-known, phonetically similar exhibition, but ...
Reaching a wider audience with 2020's The Killing of Two Lovers, writer-director Robert Machoian and star Clayne Crawford are back with their follow-up, The In...
