Full disclosure: Blue Heron takes such strides proving itself one of 2026’s greatest films (plus 2025’s, if we wish to be sticklers about premiere dates) that ...
While 2026 still has a bit of bloom on its rose—personally speaking, entirely outside the scope of world events—Criterion is already halfway through the year. ...
The first thing we hear in Mother Mary is the sound of Michaela Coel’s voice. She anticipates Mother Mary’s arrival and warns us that this story is cursed. Any...
Watching David Lowery’s Mother Mary made me think, in some unexpected way, of a scene early in Todd Field’s Tár, in which Lydia Tár dresses down a Juilliard st...
There's a reason behind the odd credit at the start of Amrum: "A Hark Bohm film by Fatih Akin." While the two collaborated before on the latter's In the Fade, ...
By all accounts a massive achievement in the legacy of Godzilla films, Takashi Yamazaki's 2023 epic Godzilla Minus One went on to bring over $116 million world...
A selection at TIFF, NYFF, San Sebastian, and more, Milagros Mumenthaler's acclaimed drama The Currents was picked up by Kino Lorber, who have set it for a rel...
Ildikó Enyedi, director of the Oscar-nominated On Body and Soul, has brought together Tony Leung and Léa Seydoux for Silent Friend, which tells three stories c...
Whatever the last great horror movie was, I doubt it was so strange or compelling as City Wide Fever. Shot on video, seemingly whenever the talent had free tim...
It’s no surprise Rachel House gives the first credit at the end of her feature debut to Te Kāhui Tupua, the mountain at the center of The Mountain. Co-written ...
