Holiday Gift Guide
Stream the Best Films of 2019
Download 2019 Screenplays
15 Films to See This Month
'Little Women' Review
Listen to The Film Stage Show
'1917' Review
'Parasite' Spoiler Feature
Christopher Doyle on Moving on From Wong Kar-wai, Constant Reinvention, and the Strange Journey of Life
New to Streaming: 'Ad Astra,' 'Marriage Story,' 'Diamantino,' and More
The Film Stage's 2019 Holiday Gift Guide
The Best Posters of December
Sundance 2020 Lineup Announced
'Dark Waters' and the True Story of How DuPont is Poisoning All of Us
15 Films to See in December
'1917' Review: Sam Mendes Crafts a Stirring Single-Take World War I Epic
‘Little Women’ Review: Greta Gerwig’s Affectionately Revises an American Classic
Where to Stream the Best Films of 2019
Todd Haynes on ‘Dark Waters,’ Michael Mann, Parallels to ‘Safe,’ and the Embrace of ‘Carol’
'The Lighthouse' Cinematographer Jarin Blaschke on Natural Lighting and the Devolution of Film Language
A.J. Edwards on ‘Age Out,’ Gus Van Sant’s Influence, Weyes Blood, and Impossible Forgiveness
'Shadow' Cinematographer Zhao Xiaoding on Zhang Yimou's Style and the Principle for Great Action Filmmaking
Mati Diop on 'Atlantics,’ Giving Meaning to Lost Lives, and the Hysteria of Cannes
Trey Edward Shults on How Frank Ocean and Kanye West Inspired ‘Waves’
'Parasite' Stars Park So-dam and Choi Woo-shik on Breaking Barriers and Cultural Differences
Cinematographer Rodrigo Prieto on the Visual Storytelling of 'The Irishman' and Collaborating with Martin Scorsese
Song Kang-ho on Why 'Parasite' is the Culmination of Bong Joon-ho's Career
'Light From Light' Director Paul Harrill on the Comfort in Ghost Stories and Breaking Screenwriting Rules
Martin Scorsese and Spike Lee Discuss ‘The Irishman,’ Trump, Death, and the Female Perspective
Martin Scorsese on the Films and Books that Influenced ‘The Irishman’
How Bong Joon Ho’s ‘Parasite’ Finds the Humanity and Tragedy in Modern Society