Note: This review was originally published as part of our 2025 TIFF coverage. The film opens in theaters on May 29.
The new documentary With Hasan in Ga...
Note: This review was originally published as part of our 2026 Sundance coverage. The film opens in theaters on May 29.
"Will your oceans be made of our...
For some, a new Valeska Grisebach film is the kind of thing to be discussed in hushed tones. This year, she made her long-awaited return to Cannes, a full ...
Lord Murashige Araki (Masahiro Motoki) doesn’t like killing. A samurai presiding over Arioka Castle in 16th-century Japan, he’s a walking contradiction—a w...
If 19th- and 20th-century storytelling was defined by grandiose literature, the 21st is all about cinema. We read less and watch more; consequently, films ...
Clio Barnard returns to Directors’ Fortnight after The Selfish Giant and Ali & Ava with an adaptation of Keiran Goddard’s novel I See Buildings Fall Li...
In Everytime, a sun-dappled film about death and love that might be the best in Cannes this year, the terrible loss of a teenage girl’s life leaves her mot...
A soft upright piano playing “Amazing Grace” drapes in warmly over the opening image of Fjord: a powder-blue-hued glacial mountain towering over the gliste...
One of the most pernicious tendencies in the way we talk about cinema is to reduce films to quantifiable objects—things that can be assessed in terms of ho...
In Ben’Imana, the perpetrators of a genocide are being put on public trial, but it just as often feels like the families of their victims are being forced ...
