Writer/director/star Catherine Eaton's feature directorial debut The Sounding is finally available nationwide digitally after a planned theatrical run was unfo...
Ben Wheatley’s Rebecca evokes the titular character in the spaces she left behind in Maxim de Winter’s family estate, Manderley, and in the people she left beh...
Adam Nayman, discussing his long and detailed book on Paul Thomas Anderson, will be the first person to tell you there is no small resource of writing on Paul ...
For his adaptation of Jack London’s “Martin Eden," Pietro Marcello changed the setting of from the novel’s pre-WWI America to pre-World War II Italy. He told u...
Azazel Jacobs grew up in the world of film, understanding its importance from his father, experimental filmmaking pioneer Ken Jacobs. His newest feature, Frenc...
Jim Cummings is perhaps as recognized for talking about making movies as he is at making them. If you pay attention to American indie films, Cummings has carve...
Producer Filip Jan Rymsza, editor Bob Murawski, along with Peter Bogdonavich and Frank Marshall, surprised the film world in 2018 when they finished Orson Well...
It's one of the strangest ideas anybody's ever had for a film and Kirsten Johnson followed through: knowing her father was suffering from Alzheimer's, she deci...
Chaitanya Tamhane’s second feature-length film, The Disciple, trains its camera on characters to explore their entire person. Tamhane intentionally stages his ...
It would've been improbable, ten years ago, to imagine the mind behind Afterschool directing a high-profile Netflix production marked minute-for-minute by reco...
