A radically defiant artist, Iranian director Jafar Panahi has been making some of the most vital––both artistically and politically––works of the last three de...
One of the most viscerally affecting films coming out of Sundance Film Festival this year was Christian Tafdrup's Speak No Evil. Following a family who accepts...
Far and away our consensus favorite of this year's Cannes Film Festival was Albert Serra's competition entry Pacifiction. Set on the French Polynesian island o...
After carving a background in photography––you have certainly seen his photo of Amy Winehouse on the cover of Back to Black––artist Mischa Richter has made his...
One of the most fascinating documentaries to emerge from Sundance Film Festival this year is Sierra Pettengill's archival exploration of Riotsville, USA, a poi...
Arriving with unfortunately renewed significance since its Sundance Film Festival premiere earlier this, Phyllis Nagy’s Call Jane dramatizes the story of The J...
After the remarkable breakthrough drama The Fits, the wait has been a long one for Saela Davis and Anna Rose Holmer to return, but they finally did so at Canne...
Few premieres from this last year left an impression like Ricky D'Ambrose's The Cathedral, one of the best films at this year's Sundance and ND/NF. An alternat...
In just a few weeks we'll get the premiere of Luca Guadagnino's first narrative feature since Suspiria. Bones and All, which stars Timothée Chalamet, Taylor Ru...
If Hollywood's sci-fi outings have left one a bit disappointed in terms of a lack of imagination, a more grounded genre outing looks to hit the mark. Lithuania...
