The jump from cinematographer to director doesn't happen so often. Barry Sonnenfeld, Jan de Bont, Ernest Dickerson––an attractive list, if a short one. The lat...
Three gauchos on horseback gallop across an Argentine landscape, their connection to their animals and their surroundings palpable. In a crumbling church, an e...
It was just a year ago I spoke to Rodrigo Prieto about Killers of the Flower Moon, his fifth collaboration with Martin Scorsese. We once again found ourselves ...
Watching When the Light Breaks on a recent day in Thessaloniki, I spared a thought for anyone in the audience who might be wary of Gen-Z's famed sensitivity. F...
There’s always the high-wire act, an exchange-and-trade, attending festivals in enviable parts of the world. Some locations only offer too much joy at the oppo...
Not many people have mourned 3D cinema's second waning. Yet, every now and then, the old parlor trick threatens to capture the imagination. I can think of two ...
It’s a shame Toxic wasn’t around for the recent excretions of body-horror discourse. Saulė Bliuvaitė's debut feature, winner of the Golden Leopard at this year...
In All We Imagine as Light, a nurse in a Mumbai hospital is confronted by the emptiness in her life when she helps a friend move to a seaside village. Set near...
Tim Fehlbaum's September 5 stars John Magaro, Peter Sarsgaard, Leonie Benesch, and Ben Chaplin as ABC sports journalists unexpectedly put in the position of na...
We could tie ourselves in knots, draw party lines, and make blood oaths declaring cinema's greatest-evers: directors, actors, screenwriters, even studios or en...
