Often hilarious and moving, Adele Lim’s anticipated directorial debut Joy Ride takes the girls-trip formula (see: Bridesmaids and, of course, Girls Trip) in bo...
For movie nerds like yours truly who grew up in the late 90s and early 2000s on films like Gregg Araki’s The Doom Generation and Rob Schmidt’s Crime and Punish...
Investigating the nature of altruism, director Penny Lane turns the camera on herself in Confessions of a Good Samaritan, showing her process as an organ donor...
A century from publication, Virginia Woolf’s Orlando: A Biography is still in vogue. Just before the pandemic, Tilda Swinton––who played Orlando in Sally Potte...
Categorized as a documentary by the filmmakers and programmers of SXSW, Liza Mandelup’s Caterpillar has a lucid structure that feels like a loose, improvised s...
Rachel Sennott continued her impressive run as a quick-witted, creatively vulgar comic in Bottoms, which premiered during South By Southwest’s second night. Bu...
Like the latest Scream installment, Evil Dead Rise takes its horror into an urban landscape, grappling with demonic forces––e.g. motherhood––that are sometimes...
The term “unique voice” gets thrown around a lot. But how else do you describe Julio Torres? Over several years as a writer for Saturday Night Live and actor o...
A lot of filmmakers at South by Southwest hatched their first movie during the pandemic. Jake Johnson is no exception. With Self Reliance, the actor’s shift in...
The future is either an incredibly exciting place where decentralized ledgers bring about change rapidly or a hellish landscape where organized groups can expl...
