Ahead of the Berlinale 2025 taking place February 13-23, they've unveiled their lineups for Berlinale Special, Panorama, Generation and Forum sections. Highlig...
In Savanna and the Mountain, the real villagers of Covas do Barroso in Northern Portugal do battle with Savannah Resources, a real British company looking to t...
If you played Bestiari, Erbari, Lapidari at 20-times speed it would be like watching complex organisms dissolve into blunter forms of matter. As it moves glaci...
As the most-anticipated film of his career began playing to critics and faced down the circus of press junkets and awards screenings, Jarin Blaschke was in Tor...
Our first glimpse at 2025 independent cinema has arrived with the unveiling of next month's Sundance Film Festival, taking place January 23–February 2, 2025, i...
The jump from cinematographer to director doesn't happen so often. Barry Sonnenfeld, Jan de Bont, Ernest Dickerson––an attractive list, if a short one. The lat...
Three gauchos on horseback gallop across an Argentine landscape, their connection to their animals and their surroundings palpable. In a crumbling church, an e...
It was just a year ago I spoke to Rodrigo Prieto about Killers of the Flower Moon, his fifth collaboration with Martin Scorsese. We once again found ourselves ...
Watching When the Light Breaks on a recent day in Thessaloniki, I spared a thought for anyone in the audience who might be wary of Gen-Z's famed sensitivity. F...
There’s always the high-wire act, an exchange-and-trade, attending festivals in enviable parts of the world. Some locations only offer too much joy at the oppo...
