With the evocative title of She Dies Tomorrow, one might think they can predict where Amy Seimetz’s second feature is going, but the writer-director is keen to...
Nothing is as it seems in A Girl Missing, the latest feature from writer and director Kôji Fukada. Mariko Tsutsui stars as Ichiko, a visiting nurse who becomes...
The adults––worse, the other kids––of Karen Maine’s Yes, God, Yes all seem to be in on an elaborate inside joke. It can be tough to talk about sex, and it’s es...
After a stratospheric rise to stardom in the late ‘90s and early 2000s, Josh Hartnett settled down. Since then, much has been made of his escape from Hollywood...
Throughout his sixteen feature films, prolific Toronto-based, Egyptian-born filmmaker Atom Egoyan has explored obsession, modern technology, fragmented familie...
Writer and director Norris Wong set her debut feature My Prince Edward in a crowded shopping district of Hong Kong, specifically the Golden Plaza mall. We’re i...
With each successive film she directs, Kelly Reichardt refines and clarifies her unique aesthetic, one that’s rooted in gentle observation and cumulative grace...
Great directors, like adventurous travelers, explore new lands not trying to impose their sensibilities on them but allowing the foreignness to wash over them ...
Utilizing three aspect ratios as well as multiple camera formats and a wealth of archival footage over its 2.5-hour-plus runtime, shooting Spike Lee's Vietnam ...
Following her back-to-back first features Thou Wast Mild and Lovely and Butter on the Latch, director Josephine Decker returned with Madeline's Madeline, a gen...
