Marking Lin-Manuel Miranda's screen directing debut, tick, tick...BOOM! follows composer Jonathan Larson as he struggles to stage a musical show despite the ov...
Michael Bilandic’s cinema has, over the course of four very small-scale features, staked out a distinct corner in indie film. Focusing on niche interests—be it...
Early during Camerimage, everyone's still reeling from jet lag. By the time Ari Wegner sits down for an interview by a reception desk in the festival's main ha...
Few film books in recent memory made waves like Adam Nayman's Paul Thomas Anderson: Masterworks, a too-rare melange of authorial talent, topical interest, and ...
Old warrior Abel Ferrara is a ronin of the cinema, and clearly loving it. Speaking over Zoom, the 70-year-old director in a snug black turtleneck stays literal...
It’s August at the Karlovy Vary Film Festival and Radu Jude can’t get on the Wi-Fi. Six months on from his shock Golden Bear win for Bad Luck Banging or Loony ...
Director Mike Mills never shies from talking about his feelings. His films teem with care, compassion, and affection. His characters exude love, or at least wi...
Philip Gelatt and Morgan Galen King’s The Spine of Night is an impassioned tribute to adult animation, dark fantasy, and truly ambitious genre epics of the typ...
One of the year's most magical cinematic experiences hails from Georgia. Alexandre Koberidze's What Do We See When We Look at the Sky?, which premiered at Berl...
Hannah Marks just wants to work. Acting as early as age 11, and appearing in shows like Weeds and Necessary Roughness while still a teenager, Marks started as ...
