In September 2022, a 22-year-old Iranian woman named Mahsa Amini was killed by authorities. She was arrested for alleged non-compliance with the country’s mand...
Three gauchos on horseback gallop across an Argentine landscape, their connection to their animals and their surroundings palpable. In a crumbling church, an e...
It was just a year ago I spoke to Rodrigo Prieto about Killers of the Flower Moon, his fifth collaboration with Martin Scorsese. We once again found ourselves ...
Latvian animator Gints Zilbalodis’ new wordless animation Flow looks to provide an alternative this holiday season (and awards season) to audiences seeking fam...
In a mere two features, writer-director Payal Kapadia has emerged as one of India’s, if not the world’s, most significant filmmakers. Partly because of her rem...
In Andrea Arnold’s Bird, Irish actor Barry Keoghan plays a father of two teenagers. In the film, he had both children when he, too, was a teenager. He’s brash ...
With just three features to his name, Tyler Taormina has cemented himself as one of the most perceptive chroniclers of small-town America. His 2019 debut, Ham ...
In All We Imagine as Light, a nurse in a Mumbai hospital is confronted by the emptiness in her life when she helps a friend move to a seaside village. Set near...
We could tie ourselves in knots, draw party lines, and make blood oaths declaring cinema's greatest-evers: directors, actors, screenwriters, even studios or en...
