One of the key figures in Hong Kong cinema, Tsui Hark is a writer, actor, producer, and groundbreaking director. Born in Vietnam, he attended college in the US...
Ever since Turn on the Bright Lights debuted in the summer of 2002, Interpol frontman Paul Banks has been the epicenter of cool. Trying his hand at a variety o...
Oscar-nominated director Atom Egoyan and writer-director Eric Nazarian engaged in an inspiring conversation on the eve of the theatrical release of Nazarian's ...
Caught by the Tides is that much-sought, almost-never-fulfilled encounter with something I can't be 100% certain is real. Audacious in concept (assembling a ne...
On the basis of the following interview, if you’re going to speak to a director, perhaps ask for the lead editor to join them. Fitting for a film largely about...
Note: This interview was originally published as part of our Fantasia coverage. Vulcanizadora opens in theaters on May 2.
Five years after his surrealist co...
Director Brittany Shyne didn’t grow up on a farm, but a family history rooted in agrarian work inspired her to make a film about Black land ownership and gener...
Amalia Ulman has followed El Planeta, one of this decade's most auspicious debuts, with the equal-parts caustic and sincere Magic Farm. With its limited releas...
Note: This interview was originally published as part of our 2024 Filmfest Hamburg coverage. April opens in theaters on April 25.
With only two feature film...
Making movies is hard. This is not a revelatory observation, though a film like The Legend of Ochi underlines how much most of us take the art of filmmaking fo...
