Having grown up in rural Colorado, Max Walker-Silverman returned to a place he knows well for his directorial debut A Love Song. The Sundance and Berlinale sel...
If Carl Franklin may not have many films in his oeuvre, what’s present has certainly made its mark. His 1992 neo-noir One False Move was originally set by the ...
Directorial debuts rarely arrive as fully formed as Murina, Antoneta Alamat Kusijanović's riveting Cannes Camera d'Or winner that follows a coming-of-age journ...
Interviewing Claire Denis keeps one on their toes. Receptive to good ideas and quick to challenge any false note, the director—by most metrics one of our gre...
It's been this summer's great pleasure watching Irma Vep. Maybe because the two years we've known about it have been marked by trepidation-tinged curiosity: Ol...
Peter Strickland wants to break taboos. The man behind films about giallo sound technicians (Berberian Sound Studio), BDSM-practicing lepidopterists (The Duke ...
After the success of 2020’s Shithouse, 25-year-old filmmaker Cooper Raiff had expectations for a follow-up. His sophomore feature, Cha Cha Real Smooth, finds t...
Good Luck To You, Leo Grande is coming out at the right time. Kind, contained, and funny, this film––written by Katy Brand and directed by Sophie Hyde––serves ...
Hailing from the small city of Columbus, Ohio, filmmakers Ori Segev and Noah Dixon have made their directorial debut with Poser, which premiered to much acclai...
Following The Better Angels and Age Out, A.J. Edwards' third feature, First Love, is both a tender tale of blossoming romance and a nuanced depiction of the pr...
