There are very, very few filmmakers who've rethought and shaken possibilities for the moving image as much as Harvard's Sensory Ethnography Lab, whose résumé––...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of the Moving ImageTokyo Story plays on 35mm this Friday and Sunday.
Film ForumBo...
Delivering one of the best monster movies of the past decade, Hideaki Anno's 2016 Shin Godzilla outpaced any of Hollywood's output with the creature as of late...
Winner of the Un Certain Regard at last year’s Cannes Film Festival, Lise Akoka and Romane Gueret’s The Worst Ones arrives in the U.S. with a certain amount of...
MUBI has announced its lineup of streaming offerings for next month, including David Easteal's The Plains (one of the best films we saw on the festival circuit...
To cinéastes fixated on tabulating statistics like sports fanatics, the Dardennes often come up as examples of unerring consistency, like a player with an impe...
A century from publication, Virginia Woolf’s Orlando: A Biography is still in vogue. Just before the pandemic, Tilda Swinton––who played Orlando in Sally Potte...
Categorized as a documentary by the filmmakers and programmers of SXSW, Liza Mandelup’s Caterpillar has a lucid structure that feels like a loose, improvised s...
As rumors swirl of Jean-Luc Godard's final posthumous film eying a Cannes premiere along with the recent premiere of Ben Affleck's Nike drama AIR, it's only fi...
While we've been receiving vital cinematic dispatches from the frontlines of Ukraine's ongoing battle against Russia, this week another look at the country's h...
