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News

Exclusive: Hong Sangsoo’s Yourself and Yours Gets U.S. Release This June from Cinema Guild

Daft Punk to Score Dario Argento’s New Film Black Glasses

Florence Pugh, Shia LaBeouf, and Chris Pine to Lead Olivia Wilde’s Don’t Worry Darling

95% of the Dialogue in Leos Carax’s Annette Will Be Sung; Was Set to Premiere at Cannes

Watch: Jia Zhangke Explores Life During Coronavirus in New Short Film Visit

Watch: Sofia Coppola Discusses Her Career and On the Rocks in One-Hour Conversation

Lynne Ramsay to Adapt a Margaret Atwood Short Story

First Look at Woody Allen’s Rifkin’s Festival, Set for Fall Release in Spain

David Lynch Says He Has “Zero Interest” in Denis Villeneuve’s Dune

Watch: Fiona Apple & Quentin Tarantino Discuss Each Other’s Careers in 2006 TV Episode

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Cannes Review: Asghar Farhadi’s Parallel Tales Is an Ambitious If Tedious Take on Kieślowski

Cannes Review: Gentle Monster Is a Masterfully Performed Drama In the Aftermath of Betrayal

Cannes Review: With Club Kid, Jordan Firstman Announces Himself as a Director to Watch

Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

Cannes Review: Fatherland Finds Paweł Pawlikowski in a Heady, Aching Register

NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More

New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

Cannes Review: Teenage Sex and Death at Camp Miasma Is a Joyful Addition to Jane Schoenbrun’s Box of Mysteries

First Look at Pascal Plante’s Red Rooms Follow-Up King’s Daughters Starring Sandrine Bonnaire

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