A little more attention's been given to individual songs from Queer than its star duo's score. Sinead O'Connor's Nirvana cover that opens the film; the actual ...
In a week full of a few embarrassing selections included in the likes of National Board of Review and AFI's picks for the top films of 2024, leave it to BFI's ...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of the Moving ImageSee It Big! Let It Snow brings 35mm prints of Kurosawa's Dersu Uz...
After fearlessly interrogating man’s capacity for evil in Oscar-nominated documentaries The Act of Killing and The Look of Silence, filmmaker Joshua Oppenheim...
With an awards season and year-end lists that tend to favor films that have been released in the last few months, there's many films that can go overlooked. Fo...
Looking for what to see in theaters? Our feature, updated weekly, highlights our top recommendations for films currently in theaters, from new releases to rest...
The fight for Palestinian livelihood, repatriation, the Argentine gaucho community, a pair of England's greatest directors, Chinese textile mills, a legendary ...
Fifty years after his screenwriting debut via Sydney Pollack’s The Yakuza and a mere forty-six since his directorial debut with Blue Collar, Paul Schrader is s...
Christophe Honoré fans have much to celebrate this January. Ahead of his latest feature, the meta Chiara Mastroianni-led Cannes selection Marcello Mio, arrivin...
One of the few benefits of the awards race is Hollywood’s outpouring of materials associated with the contenders. Perhaps the biggest perk is the release of fu...
