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[Sundance Review] Wish I Was Here

The great adventure at the heart of Zach Braff's Wish I Was Here is the search for purpose. An answer to the question, 'why are we here? And for what reason?' E...

[Sundance Review] A Most Wanted Man

Anton Corbijn's The American is a restrained, absorbing and visually staggering story of an assassin on his final mission, but the marketing sold it as star-pow...

[Sundance Review] The Skeleton Twins

With Saturday Night Live serving as their initial platform, Kristen Wiig and Bill Hader have enjoyed substantial comedic careers in Hollywood, both behind and i...

[Sundance Review] Land Ho!

Following his break-out performance in last year's restrained Sundance drama This is Martin Bonner, the talented Paul Eenhoorn has returned to the festival with...

[Sundance Review] The Sleepwalker

Clearly inheriting its thematic ambition from the old adage of “less is more,” The Sleepwalker takes a good long while to do not too much, and although the jour...

[Sundance Review] The Better Angels

The style of Terrence Malick has long since been a comparison point in many critical examinations, as of late hitting something of a fever pitch. While I rarely...

[Sundance Review] Obvious Child

Just when you thought the "Brooklyn in film" trope was tired and played-out on the festival circuit, here comes Obvious Child. Set primarily in Williamsburg, wr...

[Sundance Review] Frank

There's no definitive path on the unwieldy journey that is the creative process. We've seen countless films tackle various approaches in an attempt to find an a...

[Sundance Review] God’s Pocket

God’s Pocket, the feature directorial debut of Mad Men’s John Slattery, is a dark comedy determined to paint a distinct picture of small life in a very particul...

[Sundance Review] Fishing Without Nets

Survival is one of humanity's most basic instincts, driving one to unspeakable lengths to persevere in the harshest of conditions. Fishing Without Nets, one of ...