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Abel Ferrara’s 10 Favorite Films

‘The Fits’ Team Anna Rose Holmer & Saela Davis to Direct Gothic Psychological Drama

Bong Joon-ho Wins Palme d’Or for ‘Parasite’; See the Full List of Cannes 2019 Winners

Terrence Malick’s ‘A Hidden Life’ Will Stay Intact for Theatrical Release, But Quentin Tarantino Eyes ‘Hollywood’ Expansion

Claire Denis to Reteam with Robert Pattinson for Adaptation of Denis Johnson’s ‘The Stars at Noon’

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Agnès Varda, French New Wave Pioneer, Dies at 90

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Joel Coen to Direct Frances McDormand and Denzel Washington in ‘Macbeth’ Adaptation

Toni Collette, Jessie Buckley & David Thewlis Join Charlie Kaufman’s ‘I’m Thinking of Ending Things‘

Sofia Coppola and Paul Schrader Discuss Perfect Endings, ‘First Reformed,’ and Independent Filmmaking

Lineup Announced for 2018 Karlovy Vary International Film Festival

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Cannes Review: The Meltdown Is an Elusive Chilean Chiller

Kenneth Lonergan Returns with Tomorrow Is a Drag; Aubrey Plaza, Adam Driver, Matthew Broderick, and Vanessa Kirby Starring

Cannes Review: Asghar Farhadi’s Parallel Tales Is an Ambitious If Tedious Take on Kieślowski

Cannes Review: Gentle Monster Is a Masterfully Performed Drama In the Aftermath of Betrayal

Cannes Review: With Club Kid, Jordan Firstman Announces Himself as a Director to Watch

Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

Cannes Review: Fatherland Finds Paweł Pawlikowski in a Heady, Aching Register

NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More

New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

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