A film with a few solid laughs and crowd-pleasing moments, Death of a Unicorn never quite pushes the envelope as far as it could or should. Landing somewhere b...
Falling somewhere between a horror film and dark comedy about wellness crazes, The True Beauty of Being Bitten by a Tick is, like director Pete Ohs' previous J...
A return to form for Jay Duplass, who's also making his solo-directing debut, The Baltimorons is a charming throwback to the low-budget indies he directed with...
We've had Looney Tunes for nearly a century. Leon Schlesinger produced their first short Sinkin' in the Bathtub alongside animators Hugh Harman and Rudolf Isin...
Back at New Directors/New Films in 2019, I was struck by Philippe Lesage's deeply moving, boldly structured coming-of-age tale Genesis, ultimately naming it on...
While it's been very difficult of late to figure out what Martin Scorsese will follow Killers of the Flower Moon (already a couple years out from its Cannes pr...
A big swing and nearly a miss, Chad Hartigan's The Threesome is not without its charms even as it can overstay its welcome. A rom-com that offers a more seriou...
Directed by Rodney Ascher, best known for his horror-focused documentaries Room 237 and The Nightmare, Ghost Boy approaches its subject Martin Pistorius from, ...
After Sean Baker's sex work dramedy Anora won top honors at the Oscars last week, a Japanese landmark feature from Roman Porno master director Noboru Tanaka ex...
A snapshot of the most exciting voices working in American and international cinema today––and with a strong focus on newcomers––the Museum of the Moving Image...
