After shifting from his comedy days in The Whitest Kids U' Know to his horror debut Barbarian, Zach Cregger's next project has been highly anticipated and high...
One thing I like to do at a film festival is go for a run. Maintaining the sense of a bubble at these things can be crucial: once entered, it’s best to remain ...
Note: This review was originally published as part of our 2024 TIFF coverage. On Swift Horses opens in theaters on April 25.
It's been some time since we've...
The most essential, vital documentary of the last year, Basel Adra, Hamdan Ballal, Yuval Abraham, and Rachel Szor’s No Other Land, is now finally availabl...
His first narrative feature in six years, featuring footage collected over some two decades, Jia Zhangke's Caught by the Tides is one of the filmmaker's greate...
The Legend of Ochi, written and directed by Isaiah Saxon, is a lovely adventure built on imagination and skill. It certainly feels like the kind of film that w...
Remaking a film on the Library of Congress's National Film Registry is hardly a task that one should take lightly. Ang Lee's The Wedding Banquet dials up the p...
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Note: This review was originally published as part of our 2024 SXSW coverage. Dead Mail is now on Shudder.
Blending found footage and what appears to be gra...
NYC Weekend Watch is our weekly round-up of repertory offerings.
BAMTriple Canopy Presents: In The Hole brings 35mm prints of Salò, Tsai Ming-liang's The Ho...