Now is not the time to make a film romanticizing Nazism or allowing anyone who donned the swastika during World War II a modicum of sympathy. I'd argue there co...
Paul Greengrass, director of United 93 and Bloody Sunday, returns to the realm of the “too soon?” with 22 July, a clichéd and rather problematic film–with a fra...
Luca Guadagnino does a lot of things very, very well. Indeed, it is hard to think of a working director more adept at capturing the tactile delights of stuff li...
Tucked deep into Mariano Llinás’ monumental 14-hour, 3-part, 6-episode epic La Flor is a montage that only spans a few minutes. Introducing the film’s third and...
What immense health German cinema has found itself in lately. Since the turn of the decade, audiences of a certain ilk have grown accustomed to seeing names lik...
After taking a metatextual look at Jean-Pierre Léaud's legacy with perhaps his most acclaimed film yet, The Death of Louis XIV, Albert Serra will be turning...
Despite a filmography that includes over 20 features, it's only been in recent years that prolific South Korean director Hong Sangsoo has gotten his due in ...
The best film we saw at the Berlin Film Festival this year was John McEnroe: In the Realm of Perfection. The title may suggest your typical sports documenta...
