The Film Stage - Page 553

Sundance Review: Lucy and Desi Finds Amy Poehler Crafting a Comprehensive, Reverent Dual Biography

Amy Poehler’s chronological, comprehensive documentary debut Lucy and Desi attempts to give the entire story of Lucille Ball and Desi Arnaz. Covering the coupl...

Sundance Review: The Territory is a Collaborative Work of Preservation

There are about 180 Uru-eu-wau-wau people left in the Brazilian Amazon. This community lives off the land, protecting the Amazon from deforestation, constant t...

Sundance Review: Florida’s Finest Geriatric Dance Troupe Gets a Playful Spotlight in Calendar Girls

Let’s get one thing straight: no one just casually becomes a member of the Calendar Girls, Southwestern Florida’s premier geriatric dance troupe. As founder an...

Sundance Review: Breaking is a Modest Adaptation of a Veteran’s Real-Life Nightmare

Following on the heels of his impressive turn in Steve McQueen's Red, White and Blue, John Boyega does noble work in Breaking, directed by Abi Damaris Corbin. ...

Sundance Review: With Cha Cha Real Smooth, Cooper Raiff Delivers Another Confident Coming-of-Age Dramedy

It’s not exactly cool to be the nice guy these days, but Cooper Raiff is making a good case for them again. In each of the 24-year-old’s first two movies, his ...

Sundance Review: Resurrection is a Stomach-Churning Psychological Thriller That Turns Silly

Not all is well from the opening scenes of Andrew Semans’ Resurrection, based on his own Black List-charting script, which begins as a chilly, slick workplace ...

Sundance Review: Watcher Centers Maika Monroe Within a Chilling Psycho-Thriller

Ever since It Follows, the 2014 horror movie about a spectral grim reaper stalking a teenage girl, Maika Monroe has become her generation’s avatar of fear and ...

Sundance Review: Happening Demonstrates One Woman’s Struggle For Ownership Over Her Body

The year is 1963. The location is Angoulême, France. The woman is Anne (Anamaria Vartolomei), a bright student faced with the weight of the world when she disc...

Sundance Review: A House Made of Splinters is a Fraught Portrait of War-Torn Children

A handful of moments in Simon Lereng Wilmont’s documentary A House Made of Splinters made me feel I’d accepted an invitation best declined. One such instance i...

Sundance Review: Klondike is a White-Knuckle Look at Life During Wartime

Klondike is a funny title for this harrowing, at times absurdist Ukrainian war drama, set as conflict with Russia began to spike in 2014. Referring as it does ...

News

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Eleanor Coppola’s Documentary on the Making of Sofia Coppola’s Marie Antoinette Is Coming Soon

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

The B-Sides of Christopher Nolan with Blake Howard

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

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