The Film Stage - Page 554

Sundance Review: Klondike is a White-Knuckle Look at Life During Wartime

Klondike is a funny title for this harrowing, at times absurdist Ukrainian war drama, set as conflict with Russia began to spike in 2014. Referring as it does ...

Sundance Review: Summering is a Ho-Hum, Directionless Coming-of-Age Drama

“What’s going on with our girls?” asks the emotionally drained mother of a tween girl in James Ponsoldt’s Summering. As any parent (or relative) of a pre-teen ...

Sundance Review: Hatching is a Horror Story for the Modern Family

Mother (Sophia Heikkilä) has the perfect family. The kind of family who would no doubt have made Adolf Hitler shed a single, wistful tear. It’s because of this...

Sundance Review: Call Jane is a Curiously Low-Stakes Abortion Drama

Call Jane is a competently made, well-acted historical drama that doesn't give its charged subject matter the stakes or urgency it needs. Loosely based on The ...

Sundance Review: FRESH is All Surface and No Substance

Noa (Daisy Edgar-Jones) is a single woman trying to make it out there in a world where dating apps lead to uncomfortable dinners with gross, openly sexist man-...

Sundance Review: Dual Stretches Its Premise to a Melancholic Plateau

Dual, Riley Stearns’ third feature following Faults and The Art of Self-Defense, establishes its endgame within the first five minutes. Opening on a split foot...

Sundance Review: The Cathedral is an Ambitious Recollection of a Fractured Family and Country

What makes the fabric of our upbringing? The memories we’ll reflect on after those years have passed are often not what we may hold onto in a moment filtered a...

Sundance Review: 2nd Chance Examines the Dubious Legacy of the Bullet-Proof Vest Inventor

It’s an eerie image. Richard Davis stands out in a field, wearing a kevlar vest, and points a pistol into his belly. Then he pulls the trigger, skips back a bi...

Sundance Review: Brainwashed: Sex-Camera-Power Passionately Promotes the Female Gaze

Though the different eras of global feminist thought are known as "waves," which implies successive awakenings of liberation and critique, the film world takes...

Sundance Review: Descendant Follows a Community’s Search for Truth and Reconciliation

Over half a century after international slave trade was abolished in the United States, Timothy Meaher made a bet that he could transport a ship of captives fr...

News

James Gray’s Paper Tiger Sets North American Premiere as Opening Night of the 64th New York Film Festival

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

The B-Sides of Christopher Nolan with Blake Howard

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

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