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[Marrakech Review] Steel Flower

A suitcase clanks back and forth over the barren streets of Busan, spilling its contents as its owner desperately tries to stuff them back inside. This chaotic ...

[Review] The World of Kanako

Anti-hero is too light a word for the lead of The World of Kanako. A hard-drinking, tortured, virulent ex-cop thrown into an underworld of sociopathy and system...

[Review] The Revenant

After (mostly) constricting themselves to the confines of a single building in Birdman, director Alejandro González Iñárritu and cinematographer Emmanuel Lubezk...

[Review] Krampus

Michael Dougherty’s Krampus — based around the German humanoid folklore figure who punishes naughty children — wants to be the White Elephant of the holiday mov...

[Review] On War

The English language makes very few appearances in Bertrand Bonello’s On War, and it's to the film's credit that their possible connections and distribution fee...

[Review] Chi-Raq

Spike Lee's made his career by tackling, head-on, important socio-political issues revolving around race, inequality, and prejudice. With his latest entry, Chi-...

[Review] Victor Frankenstein

It’s taken a whole laboratory of mad scientists to conceive Victor Frankenstein, the latest exploitation of Mary Shelley’s classic novel, but the resulting schi...