There’s a point in Sarah’s Key in which the story ends. We discover that which we have been waiting to discover. Then the film continues. For another hour. ...
Joe Swanberg and Adam Wingard’s Autoerotic reaches new heights in depravity, especially in its closing moments. A skillful director with comedic chops such ...
Easy A director Will Gluck returns to theaters with a self-aware romantic comedy that is as smart and sassy as it is sleek and sexy. No mean feat considerin...
The feature debut of writer/director David Robert Mitchell premiered to acclaim at 2010's SXSW fest, then went on to Cannes and Sundance, drawing praise along...
Recalling the serials that populated the time period it encapsulates, Joe Johnston's Captain America: The First Avenger, the last in a long summer of superh...
Writer/director Min-suk Kim's Haunters is a South Korean flick currently featured at the New York Asian Film Festival. The original Korean title of the film,...
Warning: This review contains spoilers.
As a summer movie, the final installment in this 10-years running is a blast. The action is near nonstop, distinct,...
South Korean director Seung-wan Ryoo's The Unjust is an entertaining, unwieldy crime thriller, throwing flawed cops, power-hungry prosecutors and vicious mo...
In a summer overstuffed (and fluffed) with superhero sagas and crude comedies, I was eager to take in this simpler tale of a silly old bear. Tapping into th...
Academy Award-winning documentarian Errol Morris is known for fearlessly tackling controversy in his films, from Mr. Death: The Rise and Fall of Fred A. Leuch...
