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    • Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

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    • Cannes Review: With Club Kid, Jordan Firstman Announces Himself as a Director to Watch

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News

Chloé Zhao’s Nomadland Will Premiere at Venice, TIFF & NYFF Along with Telluride Event

The Criterion Channel’s August 2020 Lineup Features Mia Hansen-Løve, Wim Wenders, Stephen Cone, Bacurau & More

Alexandre Aja to Follow Crawl with O2 Starring Mélanie Laurent

Joe Keery is on a Violent Social Media Spree in First Red Band Trailer

Watch: Spike Lee & Barry Jenkins Discuss Da 5 Bloods & Filmmaking in Hour-Long Talk

The Trial of the Chicago 7 Begins in First Look at Aaron Sorkin’s Second Directorial Feature

Venice Classics to Screen New Restorations of Films by Martin Scorsese, Souleymane Cissé, Jean-Pierre Melville & More

Josh Hartnett and John Malkovich Travel Valley of the Gods in US Trailer for 2020’s Strangest Film

Spike Lee’s Filmed Version of David Byrne’s American Utopia Will Open TIFF 2020

Metrograph Announces New Membership-Based Programming, Available Digitally Nationwide

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Cannes Review: With Club Kid, Jordan Firstman Announces Himself as a Director to Watch

Exclusive Trailer and Poster for Lisandro Alonso’s Double Freedom Marks a Powerful Reunion

Cannes Review: Fatherland Finds Paweł Pawlikowski in a Heady, Aching Register

NYC Weekend Watch: Korean Cinema’s Celluloid Fever, Southland Tales, Gamer & More

New to Streaming: Yes, The Love That Remains, The Christophers, Project Hail Mary & More

The Criterion Channel’s June Lineup Features Odysseys, Weddings, James Bond, and Brian Eno

Cannes Review: Teenage Sex and Death at Camp Miasma Is a Joyful Addition to Jane Schoenbrun’s Box of Mysteries

First Look at Pascal Plante’s Red Rooms Follow-Up King’s Daughters Starring Sandrine Bonnaire

The Best Movies Now Playing in Theaters

The Wizard of Kremlin Review: An Irrelevant, Cynical Approach to Vladimir Putin’s Russian 

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