The Archive is a collection of cinephile-friendly findings around the web, including rare or never-before-seen photos, interviews, footage or any other bits related to classic or independent cinema. If you have any suggestions, feel free to tweet to @TheFilmStage. Check out the rundown below.
Above, Steadicam inventor/operator Garrett Brown on the night interior Hedge Maze set of The Shining at EMI Elstree Studios. [Tumblr]
Watch the feature-length documentary The Scorsese Machine from 1991. [Cinephilia & Beyond]
The Criterion Collection reveals its November line-up, including Tokyo Story, City Lights and more.
Watch an 82-minute BBC documentary on Sam Peckinpah.
Michelangelo Antonioni on the set of Identification of a Woman.
Find out what scares Alfred Hitchcock.
Listen to Chinatown audio commentary featuring Robert Towne and David Fincher. [Film Detail]
Watch Martin Scorsese briefly discusses the World Cinema Foundation, which selections of are coming to The Criterion Collection.
Watch Werner Herzog talk at Locarno Film Festival.
Amidst a glut of low-budget horror films, Haunt separates itself with its character-driven approach. With the horror title, which follows a teenager and neighbor exploring a nearby haunted house, now in theaters and on VOD, we had a conversation with film’s director, Mac Carter. The amount he speaks of working with his actors should give you [...]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of [...]
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not [...]
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