When I started my blindfold series Amnesiascope I knew there'd come time to show a Maggie Cheung film. Probably this doesn't require much explanation: movie st...
It's been long enough since Sparks revealed their Annette follow-up X Crucior that you're forgiven for thinking it might've been shelved. I talked to them abou...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln CenterAn essential retrospective of Brazil's L.C. Barreto Productions begin...
Nicolas Winding Refn's produced so much material these last ten years––Copenhagen Cowboy's five hours are slim compared with Too Old to Die Young, which I susp...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Brooklyn Center for Theatre ResearchMy screening series Amnesiascope partners again with Ro...
Whatever pedigree ought to be established as the sole film directed by Marlon Brando, One-Eyed Jacks spent so much time in obscure status and degraded states t...
Zia Anger's name has not broken into the mainstream; it's instead been a kind of totem for underground film artistry, to whatever extent that even exists anymo...
MUBI is exactly the service for people who see Mysteries of Lisbon is streaming and ask "yes but what version?" Accordingly I'm excited that September brings t...
Those who've followed Nathan Silver and Chris "C. Mason" Wells' careers might find themselves bewildered in recent months. Compelling enough that their latest ...
NYC Weekend Watch is our weekly round-up of repertory offerings.
BAMThe controversial, remarkable The Spook Who Sat By the Door plays in a new restoration.
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