Like the old song goes: summer’s here and the time is right for dancing in the street. While the theater has its benefits as a restrictive space, and we do not...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln CenterTsai Ming-liang's The Hole begins playing on a new 35mm print—read ou...
The latter-day work of Tsai Ming-liang—beginning, let's say, around 2009's Face or 2013's Stray Dogs, and extending at least to 2024's Abiding Nowhere—are not ...
Sundance is ostensibly a place of excitement and discovery—point origin for films that'll define the year to come and filmmakers who'll become leading lights y...
If, as Lou Reed said, writing about music is like trying to dance about architecture, writing about comedy is... let's assume there's a terrible metaphor that'...
In the years since co-directing For the Plasma and leading Ricky D'Ambrose's Notes on an Appearance, Bingham Bryant has created a smattering of impressive shor...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln CenterFilms by David Lynch, Spike Lee, Paul Thomas Anderson, Christopher No...
For as great a place as Japanese cinema holds in cinephilia, its modern iteration is hardly paid justice in stateside distribution or exhibition. I've been ple...
One year on from their Wes Anderson set, the Criterion Collection will debut arguably their most ambitious release this decade: a career-spanning, all-4K Stanl...
