Few features this decade commit more to a formal philosophy than RaMell Ross' Nickel Boys, which adapts Colson Whitehead's novel almost entirely from the first...
In the last couple years I’ve conducted two very long interviews with Rob Tregenza, whose journey through cinema comprises four independent features of stagger...
A little more attention's been given to individual songs from Queer than its star duo's score. Sinead O'Connor's Nirvana cover that opens the film; the actual ...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of the Moving ImageSee It Big! Let It Snow brings 35mm prints of Kurosawa's Dersu Uz...
My friends at Pod Casty for Me––a show that began as a look at the films of Clint Eastwood before transitioning to a series on Paul Schrader––spoke to the latt...
Those who've seen his films know Ed Lachman as a key collaborator of (naming just some) Todd Haynes, Sofia Coppola, Steven Sodebergh, Paul Schrader, and Pablo ...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film ForumThe Wages of Fear plays in a 4K restoration, while Labyrinth screens on Sunday.
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It was just a year ago I spoke to Rodrigo Prieto about Killers of the Flower Moon, his fifth collaboration with Martin Scorsese. We once again found ourselves ...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy CinemaThe Limits of Control and Unfaithful screen on 35mm; Claire Denis' No Fear,...
