The Criterion Channel's mass-addition of restorations marked a watershed moment for Hong Kong cinema's exposure in the United States, but—as with seemingly all...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Roxy CinemaNicholas Ray's The Lusty Men and On Dangerous Ground screen on 35mm Saturday and...
The Criterion Collection's October slate has just been announced today, but in effect dominated discourse for nearly a month. This is the power and pull of a c...
It might be said that Christopher Nolan’s true inhibition from proper-speaking Great Director status is spelled by his earliest films. Individual worth notwith...
Like the old song goes: summer’s here and the time is right for dancing in the street. While the theater has its benefits as a restrictive space, and we do not...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln CenterTsai Ming-liang's The Hole begins playing on a new 35mm print—read ou...
The latter-day work of Tsai Ming-liang—beginning, let's say, around 2009's Face or 2013's Stray Dogs, and extending at least to 2024's Abiding Nowhere—are not ...
Sundance is ostensibly a place of excitement and discovery—point origin for films that'll define the year to come and filmmakers who'll become leading lights y...
If, as Lou Reed said, writing about music is like trying to dance about architecture, writing about comedy is... let's assume there's a terrible metaphor that'...
In the years since co-directing For the Plasma and leading Ricky D'Ambrose's Notes on an Appearance, Bingham Bryant has created a smattering of impressive shor...
