Christopher Nolan's The Odyssey is this summer's l'objet de cinéma, the 70mm-sized monolith around which most else will have to orient. There are ways to be cr...
There's not much room nowadays for movies that are merely pretty good, even—especially—coming from great directors. Olivier Assayas’ CV has fortified his great...
That every Kiyoshi Kurosawa project of late—some of which are 45 minutes long and originated as an NFT—can get a theatrical release makes especially odd the st...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Japan SocietyKazuhiko Hasegawa's Anarchic Ethos features an ultra-rare print of The Man Who...
Loving modern cinema and admiring Tony Leung are essentially a one-to-one deal. One can look no further than Film at Lincoln Center’s recent retrospective of t...
After two-and-a-half years of Israeli genocide rendering an endless stream of unconscionable images, any record of Gaza's past has become all the more invaluab...
Three things are likely true: 1) you're excited for Ryûsuke Hamaguchi's All of a Sudden, which premieres at Cannes this month; 2) you're not going to Cannes th...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln CenterFilms by Wong Kar-wai, John Woo, Hou Hsiao-hsien, Zhang Yimou, and mo...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Film at Lincoln CenterAs La maison des bois opens in a new restoration, three films by Maur...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Anthology Film ArchivesFilms by Philippe Garrel, Bernardo Bertolucci, and Pierre Clémenti s...
