If Criterion's influence from the last 15-or-so years must distilled to one figure, a good candidate might be Edward Yang. The near-instant canonization of Yi ...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Brooklyn Center for Theatre ResearchMichael Almereyda's Cymbeline screens on Friday with th...
When I spoke to Alan Rudolph a couple months ago, he confirmed that Criterion had sought to release his (incredible, essential) Remember My Name but were held ...
Having found success with Howard Hawks' Rio Bravo and an IB Technicolor print of Marlon Brando's One-Eyed Jacks, it seemed only logical to play the middle grou...
In a city where the rents are too high, the subways are too slow, and morale barely hovers above cope, repertory options might make such troubles worthwhile. S...
NYC Weekend Watch is our weekly round-up of repertory offerings.
Museum of the Moving ImageJohnnie To's The Heroic Trio and To & Ching Siu-tung's Execut...
Shakespeare adaptations are not the surest commercial prospect; asking audiences to show for a contemporary riff on one of the Bard's lesser-known plays is ano...
Caught by the Tides is that much-sought, almost-never-fulfilled encounter with something I can't be 100% certain is real. Audacious in concept (assembling a ne...
NYC Weekend Watch is our weekly round-up of repertory offerings.
BAMA retrospective of Wuhan on film begins.
IFC CenterA major Jia Zhangke retrospective ...
Amalia Ulman has followed El Planeta, one of this decade's most auspicious debuts, with the equal-parts caustic and sincere Magic Farm. With its limited releas...
