TIFF

[TIFF Review] The Princess of France

Although his films are rarely filled with the obvious cinematic references that color the works of Tarantino, Matias Piñeiro’s films are a different type of cin...

[TIFF Review] The Wanted 18

Who knew cows could be a symbol of freedom, resistance, self-sufficiency, and identity? On the surface it's absurd and yet they became Palestinian town Beit Sah...

[TIFF Review] Gemma Bovery

It might be hard to conceive of how a tragic story like Madame Bovary could be turned into a farcical and winning comedy, and yet here we stand. With remarkable...

[TIFF Review] Nightcrawler

There are some huge ebbs and flows in Dan Gilroy's Nightcrawler. At times I loved it, others I felt bad for laughing, and some instances made me wonder what exa...

[TIFF Review] Welcome to Me

There's a great reference in Welcome to Me about Cindy Sherman that many may gloss over. Director Shira Piven and screenwriter Eliot Laurence made mention to Ne...

[TIFF Review] October Gale

After enjoying Ruba Nadda's Inescapable and hearing praise for Cairo Time I was intrigued by her latest effort, October Gale. For whatever reason Nadda doesn't ...

[TIFF Review] Coming Home

I kept trying to think about what films Zhang Yimou's Coming Home reminded me of while watching. Obvious ones came to mind like Away From Her and Amour where Go...

[TIFF Review] Samba

Every movie should have a score by Ludovico Einaudi and it's comforting to see Olivier Nakache and Eric Toledano agree. After using his haunting music on the sk...

[TIFF Review] Men, Women & Children

We are the pale blue dot of Earth? No. We're the intermittently blinking light on the end of an out-of-touch parent's device for transparently spying on the ele...

[TIFF Review] Cut Snake

Relationships are the kind of experience dependent on context. Environment and circumstance dictate the way people deal with one another and respond to one anot...