Allegedly based upon a hundred true stories, The Day Shall Come, directed by Chris Morris (Four Lions), is another comedy satirizing the theatrics involved in t...
The issue of matching approach to subject is always a central concern in documentary filmmaking, even moreso than narrative films. Due to the truth claims invol...
The nature of promise displayed by a new filmmaker can sometimes be an inherently risky proposition. For every Orson Welles or Jacques Rivette, who burst out of...
Sauvage/WildĀ opens with a gay hustler in a doctorās office. As he discusses his ill healthāhis cough, his odd stomach painsāthe camera, like the examinerās hand...
Premiering at the Toronto International Film Festival back in 2017, Netflix has smartly waited to release Brie Larson's directorial debut Unicorn Store in a...
On the heels of Hotel by the River, released earlier this year in the U.S.,Ā Grass marks Hong Sangsooās 22nd feature and his fifth collaboration with actress...
A funny, light, and heartfelt situation comedy,Ā Go Back to China finds a fashion school graduate Sasha (Anna Akana) in her fatherās toy factory after sheās cut ...
A charming remake of the Belgian comedy Hasta La Vista, inspired by actual events, Richard Wongās Come As You Are is the story of three men with various disabil...
Filmmakers and cinephilesĀ undoubtedly remain haunted by certain urban legends in film. When my mother told me about Snuff, an alleged South American snuff film ...