The Film Stage - Page 832

Sundance Review: Run Sweetheart Run Stumbles in its Feminist Horror Ambitions

For a good chunk of its opening, Run Sweetheart Run establishes its main protagonist with a montage. Cherie (Ella Balinska) is in the bathroom getting ready fo...

Slamdance Review: Animation Outlaws is a Brief Tribute to Spike and Mike, Pioneers of the Art Form

Any community or movement requires the support of curators and fans to flourish. Spike and Mike are credited with investing in a market where one didn’t exist ...

Slamdance Review: Close Quarters is a Riveting Study of Masculinity

A fascinatingly restrained if somewhat flawed study in masculinity, Andrés Clariond’s Close Quarters (Territorio) is an often engrossing slow-burn thriller set...

Sundance Review: Dick Johnson Is Dead Brilliantly Brings Levity to the Universal Truth of Death

There’s only one universal truth shared amongst all humans: one day, we will die. For some, this cold, uncomforting reality can lead to paralyzing anxiety as w...

Sundance Review: Wendy Finds Benh Zeitlin Returning with a Dull Peter Pan Retread

Is it worse to be bored or to be annoyed by a lack of ambition? What’s more grating: toe-curlingly twee humor or the type of writing that assumes a child using...

The 2020 Oscar-Nominated Short Films, Reviewed

Ahead of the Academy Awards, we’ve reviewed every short film in each category: Animation, Documentary, and Live Action. Animation Daughter (Dcera) | ...

Sundance Review: Palm Springs Puts a Sensitive Twist on the Time Loop Movie

When Bill Murray repeatedly wakes up on the same morning in Groundhog Day, the radio blares Sonny and Cher’s “I Got You Babe.” It’s a winking reminder of what’...

Sundance Review: Collective Chronicles a Romanian Health Care Scandal With Unprecedented Access

Part journalism procedural and part depressing exposé, Alexander Nanau’s verité documentary Collective examines the institutional corruption at the heart of th...

Sundance Review: The Night House Traps Rebecca Hall With Her Demons

It’s about 20 minutes into The Night House that it finds its footing. The school year has just ended and Beth (Rebecca Hall), a high school English teacher, go...

Sundance Review: Whirlybird Explores the Adrenaline-Fueled Aerial News Game

“Oh! Oh! Oh!” a voice keeps screaming. There’s a man flowing from a side channel into a main canal during a flood, and he breaks past a wall of white rapids. N...

News

Locarno Film Festival Unveils 2026 Lineup

Eleanor Coppola’s Documentary on the Making of Sofia Coppola’s Marie Antoinette Is Coming Soon

David Chase Sets LSD Film; New Updates on Quentin Tarantino, Wes Anderson, David Lowery, and Sacha Baron Cohen Projects

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Barrio Triste Review: One of the Year’s Great Debuts

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

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