The Film Stage - Page 812

The Film Stage Show Classic – The Mask of Zorro

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Michael Snydel, and Bill Graham are joined by Dan Mecca to discuss The M...

Vivarium Review: Jesse Eisenberg & Imogen Poots Go House Hunting in Entertaining, Frightening Thriller

We all like to believe that we have some semblance of control over our lives. Do we, though? How much of our identity is dictated by social conditioning? Maybe...

SXSW Review: Insert Coin Takes a Comprehensive Look at the Making of Mortal Kombat, NBA Jam & More

An essential documentary for video game fanatics of a certain age (and perhaps only for that demographic), Insert Coin is a comprehensive look at Williams-Ball...

SXSW Review: The Boy Who Sold The World Explores a Master of the Universe in the Making

The Boy Who Sold The World is an entertaining look at boy genius Ben Pasternak, a master of the universe in the making (or has he already arrived?). One has to...

Berlin Review: In The Salt of Tears, Philippe Garrel Explores the Fallacy in All Relationships

Philippe Garrel’s modus operandi since 2013’s Jealousy has been unfussy, melancholic, black-and-white tales of Parisian men in the throes of romance, typically...

How to Support Arthouse Theaters in This Time of Crisis

One week ago, the theatrical experience tied to the art form we love drastically changed–but hopefully not for good. As communities across the world attempt to...

New to Streaming: The Invisible Man, It’s Such a Beautiful Day, La Flor, Emma. & More

With a seemingly endless amount of streaming options—not only the titles at our disposal, but services themselves–each week we highlight the noteworthy titles ...

SXSW Review: Krisha Fairchild Faces a Changing Cannabusiness in the Atmospheric Drama Freeland

Capturing the rhythms of life on a rural Humble County, California commune in a changing cultural landscape, Kate McLean and Mario Furloni’s beautifully crafte...

SXSW Review: Drunk Bus is a Sweet, Nostalgic Slacker Comedy

Set in a time before Uber, smartphones, and mass social networking, Brandon LaGanke and John Carlucci’s Drunk Bus is a nostalgic look at college life in small-...

David Thewlis is a Food Inspector on a Mission in the First Trailer for Atom Egoyan’s Guest of Honour

Atom Egoyan (Exotica and The Sweet Hereafter) is back after five years with the thriller Guest of Honour starring David Thewlis (Naked), Laysla De Oliveria (Lo...

News

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Eleanor Coppola’s Documentary on the Making of Sofia Coppola’s Marie Antoinette Is Coming Soon

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

The B-Sides of Christopher Nolan with Blake Howard

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

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