The Film Stage - Page 731

The Film Stage Show Ep. 405 – Borat Subsequent Moviefilm (with Allison Shoemaker)

Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Michael Snydel, and Bill Graham are joined by Allison Shoemaker to discu...

The Giant Trailer: Odessa Young Reunites with a Dangerous Past in Mystery Drama

On the night of her graduation, a young woman comes face to face with some very grim circumstances. That’s the central plot of the new drama The Giant, directe...

Watch: Shia LaBeouf and Margaret Qualley Get Intimate in NSFW Music Video Shot by Natasha Braier

Two of our most interesting young stars have come together to make us cry, and show some skin. Shia LaBeouf and Margaret Qualley have teamed for the new music ...

New Trailer for Béla Tarr’s 4K Restoration of Damnation

On the heels of the recent 20th anniversary restoration of his magnum opens Sátántangó, another Béla Tarr gem has been given a new coat of paint. His 1998 feat...

BFI London Review: Colin Firth & Stanley Tucci Exude a Powerful Love in Supernova

How can one begin to contemplate losing the person they love most in the world? It’s difficult to think about and often, as human beings, we put off the future...

Montclair Review: Derek DelGaudio’s In & of Itself is a Fascinating Meditation on Narrative, Identity, and Magic

It's a tough act for a critic to try and explain the joys and pleasures of Derek DelGaudio’s In & of Itself. In short, it’s an evocative exploration of nar...

Midnight in Paris Review: A Sensitive, Joyful Portrait of Prom in Flint, Michigan

There’s a moment in Midnight in Paris that strikes because of its simple beauty and melancholy. The seniors of Flint Northern High School’s Class of 2012 made ...

SDAFF Review: Lav Diaz’s Genus Pan Presents a Blistering Allegory for Humanity’s Inescapable Death Cycle

With his latest feature Genus Pan, the king of slow cinema Lav Diaz proves that even his fleet-footed efforts can be an unrelenting experience. Clocking in at ...

AFI Fest Review: Wildland is a Family Crime Drama with Richly Drawn Characters and Riveting Violence

While much entertainment can be had from stories of successful, high-level crime families, tales of low-level crime syndicates are often far more impactful. Ca...

The Empty Man Review: Carefully-Crafted Horror That Runs Off the Rails

As an optimist that believes theatrical exhibition will survive, I look forward to the day when David Prior’s The Empty Man is introduced by a genre geek at an...

News

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Eleanor Coppola’s Documentary on the Making of Sofia Coppola’s Marie Antoinette Is Coming Soon

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

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