Hours before I place my trust in a rush-hour F train departing from Herald Square just 19 days before Christmas, I am speaking with scholar and filmmaker Jerry...
As Martin Scorsese once said, "Music and cinema fit together naturally. Because there's a kind of intrinsic musicality to the way moving images work when ...
As evidenced in our best cinematography round-up, one of the year's most beautiful movies is Maura Delpero’s Vermiglio, shot by Leviathan and The End cinematog...
Rounding up the best unproduced screenplays in Hollywood, as voted on by hundreds of film executives, The Black List has been a strong resource to clue one in ...
One of the most delicate, heartwarming films I saw at Sundance Film Festival earlier this year was Sally Aitken's Every Little Thing, which follows the journey...
In a revealing anecdote after the first screening of his latest biopic A Complete Unknown, James Mangold relayed the question posed to him by Bob Dylan: "So wh...
Our year-end coverage continues with a look at the best performances of 2024. Rather than divide categories into supporting or lead or by gender, we've written...
In the last couple years I’ve conducted two very long interviews with Rob Tregenza, whose journey through cinema comprises four independent features of stagger...
We're now finally just about a week away from the U.S. release of Brady Corbet's The Brutalist, which will roll out in NY and LA in 70mm engagements starting n...
After the 2000s brought us 28 Days Later and 28 Weeks Later, get ready for a whole new trilogy of zombie features in the franchise. Danny Boyle, returning six ...