A love letter stuck in limbo—forever undelivered, returned to sender, and lost in transit—the union between Layla and Qays can never be cemented. Caught in ...
Concluding a trilogy that goes places even Mike Rowe of Dirty Jobs could never go (not on a basic cable anyway), Michael Glawogger’s Whores' Glory is lucid,...
After a decade in the Hollywood system directing the likes of The Road to El Dorado and Shark Tale, Bibo Bergeron decided to return home to his native Franc...
Memory and nostalgia—these are the things Joachim Trier sought when creating his dark, hopeful and depressing love letter to his hometown. Rather than use t...
This has been the year of romantic comedies doing their best to overcome the genre and crossover to succeed with men and women alike. An unintentional reuni...
Delivering his most emotionally-mature film yet, Alexander Payne examines the importance of family with The Descendants. It is a welcome return for the film...
According to André Wilms—the star of Le Havre—during his hilarious stream of consciousness Q&A at a screening for the Toronto International Film Festiva...
Cancer is one of life’s great fears, a grand equalizer that takes without discretion. Children are lost while their parents watch, talents with the ability ...
In the age of American Idol, My Super Sweet Sixteen and the Jersey Shore, Natural Born Killers, Oliver Stone’s 1994 film looks quaint. Fred (Joel Murray), t...
The Toronto International Film Festival media blurb for Simon Davidson’s debut feature, The Odds, likens it to a combination of Rounders and Brick. While th...