Using gunpowder and sky as his canvas, Chinese-born artist Cai Guo-Qiang’s extraordinary statements on environmentalism, capitalism and humanity do require a la...

Here is where I go off-book for my final Sundance review. The film is Nicolas Pesce's frightening The Eyes of My Mother, and I am not its target audience. This ...

For much of its 79 minutes, Tahir Jetter's How To Tell You're A Douchebag feels like the type of raw, DIY and impressive indie picture that barely stands a chan...

If a tree falls in the forest, does anyone hear it? By the same token, if a midnight movie premieres on VOD or screens at an empty AMC multiplex at 2PM, is it s...

With its focus on the effects of exploration by white men on foreign lands, Ciro Guerra’s Oscar-nominated Embrace of the Serpent will inevitably be compared to ...

Blurring the line between documentary and fiction like few films before it, Michal Marczak's All These Sleepless Nights is a music-filled ode to the ever-shifti...

Cinema is often a space for abstract, subconscious expressions that require airing. Under The Shadow is an inspired psychological thriller from Iranian filmmake...