In what could be a companion piece to Mario Furloni and Kate McLean’s cannibusiness drama Freeland, Chris J. Russo’s Lady Buds is an exploration of newcomers a...
An apt alternate title for Bebia, à mon seul désir could well be Grandma, which of course was also the name of a Lily Tomlin-starring comedy from 2015. Indeed,...
Following on the heels (and somewhat novelty) of art-film director biopics Pasolini and Godard Mon Amour comes Enfant Terrible, which spans fifteen years in th...
Filling the void left by much of Hollywood when it comes to sharing stories told by Black artists, streamers like Netflix and Amazon have recently had an impre...
Consider an odd occurrence: my generation––the millennials––are really feeling tarot and astrology at the moment. There are many pop-psychological interpretati...
With his new picture, Guy Ritchie continues down a familiar, albeit entertaining, road. Following a decade-plus of big budget tentpoles (two Sherlock Holmes mo...
Depending on the storyteller, the early 20th century folk hero Olivorio Mateo (the Papá Liborio of the title), was a Creole saint or a dangerous cult leader. H...
Never read the comments—a universal rule for all writers who publish, share, or create on the internet. No matter what you say or how you say it, there will al...
In the arid, lunar landscape of Ainhoa Rodríguez’s Destello Bravío, a whole village waits for things to fall apart. We’re in the rural outskirts of Spain’s Ext...
The After School Special vibe at the back of Marshall Burnette's Silo isn't a bug. It's a feature. Because beyond creating a captivatingly suspenseful premise ...
