Rotterdam Review: ‘The Days to Come’ is an Engrossing, Energetic Elegy to Parenthood
“I lose my keys every other week. I’m a fraud of a person. Do you see me raising a kid?” When Vir finds out she’s pregnant, early into Carlos Marqués-Marcet eng...
An Italian-born, UK-raised film critic, Leonardo Goi is an alumnus of the Locarno Critics Academy and Berlinale Talents, where he coordinates the Talent Press. Along with The Film Stage, he writes for MUBI, Senses of Cinema, and Kinoscope. For reviews and reports from the festival circuit, follow him on Twitter at @LeonardoGoi.