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Author: lgoi

Cannes Review: ‘Atlantics’ Captures the Migrant Crisis Through a Ghost Tale of Perturbing Beauty

 

Cannes Review: ‘Joan of Arc’ is Bruno Dumont’s Austere, Mystic Follow-up to ‘Jeannette’

 

Cannes Review: ‘The Invisible Life of Eurídice Gusmão’ is an Achingly Beautiful Tale of Sisterly Love

 

Cannes Review: ‘Matthias & Maxime’ is an Unnervingly Mute Study of Contrasts

 

Cannes Review: ‘Portrait of a Lady on Fire’ is a Film of Incandescent, Shattering Beauty

 

Cannes Review: Terrence Malick’s ‘A Hidden Life’ is a Wrenching Ode to Faith

 

Review: ‘August at Akiko’s’ is a Whimsical, Hawaii-Set Tale of Belonging

 

Cannes Review: ‘The Dead Don’t Die,’ and Neither Do Old Zombie Tropes

 

Rotterdam Review: ‘Present.Perfect.’ is an Unsettling Foray into China’s Live-Streaming Hysteria

 

Rotterdam Review: ‘The Days to Come’ is an Engrossing, Energetic Elegy to Parenthood

 
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