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Author: lgoi

Locarno Review: Atsuko Maeda Shines in Kiyoshi Kurosawa’s ‘To the Ends of the Earth’

 

Into Foreign Lands: Kiyoshi Kurosawa on ‘To the Ends of the Earth’

 

Locarno Review: Trương Minh Quý’s ‘The Tree House’ is a Singular, Entrancing Ode to Memory and Filmmaking

 

Locarno Review: The Unassuming, Charming Candor of Rúnar Rúnarsson’s ‘Echo’

 

Locarno Review: The One-Man Thriller ‘7500’ Has Trouble Making a Satisfying Landing

 

Cannes Review: ‘Atlantics’ Captures the Migrant Crisis Through a Ghost Tale of Perturbing Beauty

 

Cannes Review: ‘Joan of Arc’ is Bruno Dumont’s Austere, Mystic Follow-up to ‘Jeannette’

 

Cannes Review: ‘The Invisible Life of Eurídice Gusmão’ is an Achingly Beautiful Tale of Sisterly Love

 

Cannes Review: ‘Matthias & Maxime’ is an Unnervingly Mute Study of Contrasts

 

Cannes Review: ‘Portrait of a Lady on Fire’ is a Film of Incandescent, Shattering Beauty

 
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