Note: This review was originally published as part of our 2024 Berlinale coverage. Direct Action opens in theaters on April 11.
There’s a stretch of lan...
Note: This review was originally published as part of our Cyprus Film Days International Festival 2023 coverage. The Fishbowl is now playing in theaters from ...
Note: This review was originally published as part of our Cannes 2024 coverage. Misericordia will be released in theaters on March 21 from Janus Films/Sideshow...
The first time I came across the name John C. Lilly I was––rather fittingly, for reasons that will become clearer in a minute––not exactly sober. Late in the n...
Consider the logline: a 34-year-old, pre-diabetic, 250-pound, extremely anxious loner finds respite as a cleaning simp for dominatrices eager to belittle h...
Positive or not, all critical appraisals of Hélène Cattet and Bruno Forzani’s films inevitably land on the same talking point: their inordinate cinephilia....
Is Mark Ruffalo giving a Trump impression? It’s early into Bong Joon Ho’s Mickey 17 when the actor struts into the frame in a velvety blazer, wife Ylfa (Toni C...
The title isn’t an order; it’s a plea. Wind, Talk to Me, Stefan Djordjevic’s feature debut, began as a portrait of the director’s ailing mother, Negrica, a...
A few years back, directors Lois Patiño and Matías Piñeiro joined forces for what was meant to be a very loose adaptation of Shakespeare’s The Tempest. The res...
With just three features to his name, Tyler Taormina has cemented himself as one of the most perceptive chroniclers of small-town America. His 2019 debut, Ham ...
An Italian-born, UK-raised film critic, Leonardo Goi is an alumnus of the Locarno Critics Academy and Berlinale Talents, where he coordinates the Talent Press. Along with The Film Stage, he writes for MUBI, Senses of Cinema, and Kinoscope. For reviews and reports from the festival circuit, follow him on Twitter at @LeonardoGoi.
