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Author: lgoi

Cannes Review: ‘Matthias & Maxime’ is an Unnervingly Mute Study of Contrasts

 

Cannes Review: ‘Portrait of a Lady on Fire’ is a Film of Incandescent, Shattering Beauty

 

Cannes Review: Terrence Malick’s ‘A Hidden Life’ is a Wrenching Ode to Faith

 

Review: ‘August at Akiko’s’ is a Whimsical, Hawaii-Set Tale of Belonging

 

Cannes Review: ‘The Dead Don’t Die,’ and Neither Do Old Zombie Tropes

 

Rotterdam Review: ‘Present.Perfect.’ is an Unsettling Foray into China’s Live-Streaming Hysteria

 

Rotterdam Review: ‘The Days to Come’ is an Engrossing, Energetic Elegy to Parenthood

 

Berlin Review: ‘Piranhas’ is a Perceptive Yet Formulaic Immersion into the World of Neapolitan Teen Gangs

 

Berlin Review: ‘Ghost Town Anthology’ is a Perturbing Excursion into Otherness

 

Rotterdam Review: ‘Beats’ is a Techno-Fueled, Nostalgic Ode to Adolescence

 
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