Venice Review: Luc Besson’s Dogman Never Lives Up to Trashy, Deranged Potential
Whatever one may think of Luc Besson’s oeuvre, his films work best when they live up to their trashy potential. The director’s cinema is littered with all-out ...
An Italian-born, UK-raised film critic, Leonardo Goi is an alumnus of the Locarno Critics Academy and Berlinale Talents, where he coordinates the Talent Press. Along with The Film Stage, he writes for MUBI, Senses of Cinema, and Kinoscope. For reviews and reports from the festival circuit, follow him on Twitter at @LeonardoGoi.