Venice Review: Damien Chazelle’s ‘First Man’ is a Majestic, Deeply Tragic Epic
“When you get a different vantage point, you get a new perspective,” says Ryan Gosling to a group of NASA officials recruiting astronauts early into Damien Chaz...
An Italian-born, UK-raised film critic, Leonardo Goi is an alumnus of the Locarno Critics Academy and Berlinale Talents, where he coordinates the Talent Press. Along with The Film Stage, he writes for MUBI, Senses of Cinema, and Kinoscope. For reviews and reports from the festival circuit, follow him on Twitter at @LeonardoGoi.