Jake Howell

Rachel Lears’ Knock Down the House is a fun, emotionally powerful, inspiring look at the incredible wave of would-be politicians that sought, in 2018, to challe...

At the Sundance berth of Grant Sputore’s I Am Mother, an Australian sci-fi chiller in need of some trimming, I found myself far more concerned with the producti...

Amusingly, Penny Lane’s documentary Hail Satan? is interested in clarifying one critical misconception about the Satanic Temple: its members don’t, in fact, wor...

In Native Son—artist Rashid Johnson’s feature film debut and adaptation of the 1940 Richard Wright novel of the same name—Moonlight’s Ashton Sanders finds himse...