TIFF Review: Sylvia Chang’s Wonderful Performance Lifts Up Daughter’s Daughter
Huang Xi’s Daughter’s Daughter is, as the title suggests, a generational drama, but one that encompasses four generations of women rather t...
Reviews
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Venice Review: Jerry Lewis’ The Day the Clown Cried Emerges in From Darkness to Light
“What if woody Allen had brain injury,” remarks the comic Adam Friedland in his rather direct Letterboxd review of Jerry Lewis’ The Ladies...
Venice Review: Kevin Costner Is Going Strong With Horizon: An American Saga – Chapter 2
How blessed are we to have a whole six hours of Kevin Costner’s mythopoetic Horizon already make their way to (some) audiences, especially ...
TIFF Review: Joseph Kahn’s Ick is a Riotous, Satirical Take on the Creature Feature
The world is ending and nobody cares in Ick, Joseph Kahn’s latest genre offering after 2017’s Bodied and 2011’s Detention. Despite only mak...
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NYC Weekend Watch: A Different Man Influences, Johnnie To, Ingrid Caven & More
NYC Weekend Watch is our weekly round-up of repertory offerings.
BAMA Different Man director Aaron Schimberg has assembled an all-35mm retrospective of film...
New to Streaming: Red Rocket, Robot Dreams, Kneecap, Riddle of Fire & More
Each week we highlight the noteworthy titles that have recently hit streaming platforms in the United States. Check out this week’s selections below and past r...
Venice Review: Jerry Lewis’ The Day the Clown Cried Emerges in From Darkness to Light
“What if woody Allen had brain injury,” remarks the comic Adam Friedland in his rather direct Letterboxd review of Jerry Lewis’ The Ladies Man. Continuing a t...
Venice Review: Kevin Costner Is Going Strong With Horizon: An American Saga – Chapter 2
How blessed are we to have a whole six hours of Kevin Costner’s mythopoetic Horizon already make their way to (some) audiences, especially when this project ha...
TIFF Review: Joseph Kahn’s Ick is a Riotous, Satirical Take on the Creature Feature
The world is ending and nobody cares in Ick, Joseph Kahn’s latest genre offering after 2017’s Bodied and 2011’s Detention. Despite only making four features in...
TIFF Review: David Gordon Green’s Nutcrackers is a Frustratingly Contrived Affair
David Gordon Green’s career is one of the most unpredictable in Hollywood. Since his masterful and celebrated debut George Washington, he's not been shy about ...
TIFF Review: Jason Reitman’s Saturday Night Has One Yearning for Aaron Sorkin’s Studio 60
“Can satire save the Republic?”— May 2017 cover story of The Atlantic featuring Alec Baldwin as Donald Trump
“Mad TV would have done a Barron Trump School ...
TIFF Review: Tim Robinson Masters Cringe In the Hysterically Funny Friendship
The level of enjoyment audience members will have with Andrew DeYoung’s Friendship is tied directly to their tolerance for the humor of Tim Robinson. The star ...
TIFF Review: The Quiet Ones Orchestrates a Thrilling Heist
When Kasper (Gustav Dyekjær Giese) learns his brother-in-law wants him to speak with a Moroccan friend, he knows what that conversation will entail. It probabl...
TIFF Review: Souleymane’s Story Tells a Dardenne-Esque Political Fable with a Thriller’s Urgency
Souleymane's Story delivers a political fable with all the grit and urgency of a thriller. It follows a Guinean food-delivery driver (Abou Sangare, brilliant i...