Jonathan Glazer

‘The Shape of Water’ Review: Guillermo del Toro Crafts an Immersive, Enchanting Supernatural Romance

The Shape of Water is an unconventional love story -- with a generous dash of the supernatural -- set in a dreamy 1950s United States and featuring knockout performances from Michael Shannon and Sally Hawkins....

Listen to the Full Score for ‘Jackie’ By ‘Under the Skin’ Composer Mica Levi

She's been active in the world of music for the better part of the last decade, but with her haunting score for Under the Skin, Mica Levi immediately became...

Natalie Portman Grieves in New Trailer for Pablo Larraín’s ‘Jackie’

Two of the most enveloping and visually striking films I've seen all year are Pablo Larraín's Neruda and Jackie, both of which arrive in theaters next month...

Natalie Portman Steps Into the First Lady’s Shoes in Trailer for Pablo Larraín’s ‘Jackie’

It'll be hard for me to read, hear, type, or say the title of Pablo Larraín's new film without hearing '60s-era Scott Walker and a charging backing band, bu...

25 Films to See at the 2016 New York Film Festival

With NYFF kicking off this weekend, we highlight the films you can't miss....

The Best Films at the 2016 Venice Film Festival

We wrap our favorites and beyond) at this year's Venice Film Festival....

[Venice Review] Jackie

Chilean filmmaker Pablo Larraín certainly isn’t beating around the bush with his latest film, Jackie, a strange, refreshingly cynical, and unexpectedly cerebral...

The 21st Century’s 100 Greatest Films, According to Critics

Although we're only about 16% into the 21st century thus far, the thousands of films that have been released have provided a worthy selection to reflect on ...

The 50 Best Sci-Fi Films of the 21st Century Thus Far

We count down our favorite science-fiction films of the millennium so far....

Watch Rian Johnson Discuss His Adoration for Jonathan Glazer’s ‘Under the Skin’

In naming Under the Skin the second-best film of the decade thus far, we said, "Scarlett Johansson has never been better than in Jonathan Glazer's visual mo...

News

MUBI’s December 2023 Lineup Features The Delinquents, Olivier Assayas, Jean-Luc Godard, Takeshi Kitano & More

World Premiere of 4K Restoration of Edward Yang’s Mahjong Set for December’s Film at Lincoln Center Retrospective

First Look at Robert Eggers’ Nosferatu Brings Murnau to the Modern Age

Trailers

The End We Start From Trailer: Jodie Comer Tries to Find Her Way Home in a Submerged London

Memory Trailer: Jessica Chastain and Peter Sarsgaard Search for Connection in Michel Franco’s Drama

New About Dry Grasses Trailer Brings Nuri Bilge Ceylan’s Cannes Winner Stateside

Reviews

DOC NYC Review: Apolonia, Apolonia is a Meditative Exploration of Identity, Work, and Evolution

DOC NYC Review: South to Black Power Explores Abstract Politics Through Personal Stories of Change

Thessaloniki Review: Suspense Beats Solemnity in Jordan’s Oscar Entry Inshallah a Boy

Features

The Best Directorial Debuts of 2023

NYC Weekend Watch: World Cinema Project, Peeping Tom, The Long Day Closes, the Before Trilogy & More

New to Streaming: Oppenheimer, Afire, Stamped from the Beginning & More

Interviews

Pedro Costa on Needing Your Desire and the Stevie Wonder-Like Vision Fueling The Daughters of Fire

Rodrigo Prieto on Martin Scorsese’s Method and Formatting Killers of the Flower Moon and Barbie for IMAX

Alma Pöysti on the Soft Smiles and Sad Songs of Aki Kaurismäki’s Fallen Leaves

Podcasts

The Film Stage Show Ep. 521 – The Holdovers (with Gerald Peary)

The Film Stage Show Ep. 520 – The Killer (with Noah Gittell)

The B-Side – Vietnam War Movies (with Brian Raftery)