Early into Helena Wittmann’s 2017 feature debut, Drift, a character recounts a Papua New Guinean tale of the world’s creation. Back when the planet was all wat...
All through Fairytale (aka Skazka), characters recite the opening of the Divine Comedy and Dante’s preamble to his plunge into hell. But the black-and-white wo...
And here I thought capitalism's hold on the American education system by way of unpaid internships was bad. As documented in July Jung's extern drama Next Sohe...
The easiest way to describe the tone of Satoshi Miki's realization of an objectively ingenious concept (What happens to the rotting carcass of a defeated kaiju...
In what feels like no time at all are we again looking towards the New York Film Festival, which launches on September 30 with some major buzz, drone, hiss, bu...
The best word to describe Unrest is "clever." It isn't on the level of the artisans and thinkers it lovingly portrays—all the graphers (geo, carto, photo) and ...
Director Masaaki Yuasa and screenwriter Akiko Nogi's adaptation of Hideo Furukawa's novel The Tale of the Heike: The Inu-oh Chapters finishes with a couple scr...
Santoshi Harada (Jirô Satô) has a plan. It concerns a three-million-yen reward for helping capture the infamous serial killer known as "No-Name" (Hiroya Shimiz...
The cost of fame sits in the living room wondering aloud whether dad will be home for Christmas. Why these two young boys' voices have been deepened to sound l...
After teasing a number of titles in one-off announcements, including Steven Spielberg's The Fabelmans, TIFF has now unveiled their full Gala and Special Presen...
