Following up her reframed remake of Black Christmas, Sophia Takal’s Act One, is a polarizing work taking place in the shadows of Anytown, USA (though largely f...
Here I’m Alive, Joshua Z. Weinstein’s follow-up to his 2017 breakout Menashe, is an intimate and claustrophobic mosaic of New York City life, a film that is bo...
Note: This review was originally published as part of our 2025 Fantasia coverage. The film arrives on Netflix on June 12.
More than the similarly mythologiz...
Note: This review was originally published as part of our 2025 Tribeca coverage. The film arrives digitally and on Peacock on June 12.
Upon hearing the ...
With filmmakers from around the world descending on Manhattan as the 25th anniversary of the Tribeca Festival kicks off, we're thrilled to announce that The Fi...
Family and belonging structure society to a mythical scale, their symbolic value readily plugged into ideologies categorizing the world into binaries—"us" and ...
Alex Vlack’s The Revisionist has all the elements of a great comedy of manners before reverting to something quite obviously foreshadowed in the film’s opening...
Note: This review was originally published as part of our 2025 TIFF coverage. The film opens in theaters on June 5.
How do you tell when you stop being good...
Note: This review was originally published as part of our 2025 Tribeca coverage. The film opens in theaters on June 5.
As humanity continues mining Earth’s ...
New York is hardly lacking for decent programming of Japanese cinema. Even by such standards, the city's preeminent destination is without question. Now in its...
