If one closes their eyes and imagines what a con movie in the hands of Miranda July might look like, I still don’t think you’d get anywhere close to what Kajil...
Early on in Ironbark, directed by Dominic Cooke, British salesman Greville Wynne (Benedict Cumberbatch) realizes he's sitting at a table with both a MI6 office...
In the six years since first hitting Park City, Justin Simien has had a modest, successful career. His debut feature, Dear White People, swiftly got picked up ...
One is eight years old, one’s 14. One clings to mom without knowing what else to do, the other resents her. They’d be stereotypes if they actually had some sur...
If a mountain-climbing adventure like Everest or Vertical Limit removed its bombastic thrill-seeking setpieces and was instead directed with the patient, rever...
In a world where the hot-button issue of abortion has been a divisive point of political pull in which the majority of those in power will never have to grappl...
Twitter is Shakespeare for the 21st century and, as Zola proves, Janicza Bravo is the director best adept at bringing all the peculiarity, hilarity, and ugline...
In the wake of a tragedy, who decides who gets compensated? And how much? These are the opening queries in Worth, written by Max Borenstein and directed by Sar...
While director Lynne Sachs admits her latest documentary Film About a Father Who could be superficially construed as a portrait (the title alludes to and the c...
Ever since Hannah Arendt coined the term “the banality of evil” in her 1963 book Eichmann in Jerusalem, it’s been a phrase oft-used in an attempt to describe h...
