The Film Stage - Page 817

Raffey Cassidy is Trapped in a Cult in Trailer for Małgorzata Szumowska’s The Other Lamb

If one is looking for some more female-led cult horror after last year's Midsommar, Polish director Małgorzata Szumowska has made her English-language debut wi...

Berlin Review: Gunda is a Spell-Binding Take on Animal Sentience

In 2018, Victor Kossakovsky set out to shoot Aquarela, a survey-symphony that took the Russian documentarian around the world to capture glaciers, waterfalls, ...

Berlin Review: Days of Cannibalism is a Harrowing, Profound Look at the Culture Wars in Lesotho

Two cultures clash as a wave of anti-immigrant rhetoric spreads over a country in Teboho Edkins’ profound documentary Days of Cannibalism, which focalizes the ...

15 Films to See in March

While November and December are often considered the months in which films of the highest-quality films arrive (as award season demands), one could easily make...

Tsai Ming-liang on His New Approach to Filmmaking and Why Days Doesn’t Need Subtitles

We have had the privilege of speaking with Taiwan-based filmmaker/master of slow cinema Tsai Ming-liang three times over the last four years (see here, here, a...

Exclusive Trailer for The Wolf House Introduces an Audacious Stop-Motion Feature Hailing from Chile

When it comes to the field of animation, many productions can often succumb to a certain sameness in their respective visual approaches. This is certainly not ...

Just Don’t Think I’ll Scream Trailer: Over 400 Movies Form a Deeply Personal Essay Film

After watching over 400 films in the span of just around four months, director Frank Beauvais reflects on his life and what led to this cinematic hibernation i...

Berlin Review: There Is No Evil is a Major Work of Iranian Cinema and a Testament to the Oppressed

Iranian director Mohammad Rasoulof won Cannes’s Un Certain Regard award in 2017 with his bruising, brilliant drama A Man of Integrity, which explored how an op...

Berlin Review: Margaret Qualley & Sigourney Weaver Can’t Rescue the Saccharine My Salinger Year

An aspiring twenty-something writer with a couple of poems in The Paris Review, Joanna’s just landed a gig at a New York-based literary agency. Working on othe...

Review: Matías Piñeiro’s Isabella is an Unassumingly Sumptuous Look at Self-Doubt

Women from Shakespeare’s oeuvre find themselves reincarnated in modern-day South America through the recent works of Argentine director Matías Piñeiro (Hermia ...

News

Locarno Film Festival Unveils 2026 Lineup

Eleanor Coppola’s Documentary on the Making of Sofia Coppola’s Marie Antoinette Is Coming Soon

David Chase Sets LSD Film; New Updates on Quentin Tarantino, Wes Anderson, David Lowery, and Sacha Baron Cohen Projects

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

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