The Film Stage - Page 550

Maggie Gyllenhaal on Crafting The Lost Daughter and How She’s Always Been a Director

Maggie Gyllenhaal needs no introduction. An Academy Award-nominated actress who has been tackling complex roles with gusto for decades in films and television ...

Sundance Review: Something in the Dirt Captures an Obsessive Search for the Otherworldly

The characters in Justin Benson and Aaron Moorhead’s films shouldn’t be in these situations. They’re out of their depth, caught up on a conspiracy, a cult, or ...

NYC Weekend Watch: The Age of Innocence, Todd Haynes, Kirsten Dunst & More

After a hiatus as theaters in New York City and beyond closed their doors during the pandemic, we’re delighted to announce the return of NYC Weekend Watch, our...

Rifkin’s Festival Review: Woody Allen Takes Aim at the Film Culture That’s Abandoned Him

Entering the “likely a money-laundering scheme for Spanish businessmen” part of his European travelogue era, Woody Allen turns uniquely narrow-minded and bitte...

Sundance Review: Master Bites Off More Than it Can Chew

Let's start here: Master, written and directed by Mariama Diallo, is a film with ambitious scope and intention. That it does not quite succeed in its endeavors...

Sundance Review: The Mission Shows Unwavering Faith with an Accepting Lens

In The Mission, unwavering faith is a requirement. For the four young missionaries followed by director Tania Anderson, Finland becomes their two-year home, a ...

Sundance Review: My Old School is a Charming Documentary About a 1990s Scandal

Plot summaries (and reviews) of My Old School face a difficult task: how to describe a film whose very existence is based around a big spoiler. Sundance's prog...

Sundance Review: Last Flight Home Approaches End of Life with Warmth, Grace, and Compassion

In her most personal and intimate film, master documentarian Ondi Timoner (We Live in Public, Cool It, Dig) turns an intended family tribute for a virtual memo...

Cinematographer José Luis Alcaine on Parallel Mothers and Capturing Pedro Almodóvar’s Emotional Vision

Two strangers' lives intertwine in Parallel Mothers, the latest film from Pedro Almodóvar. Janis (Penélope Cruz) and Ana (Milena Smit) are single mothers who g...

Sundance Review: Aubrey Plaza Elevates the Simplistic Thriller Emily the Criminal

Taking part in ten Sundance premieres over the last ten years, Aubrey Plaza’s niche in the world of independent cinema has been well carved. Reaching into dark...

News

Locarno Film Festival Unveils 2026 Lineup

Eleanor Coppola’s Documentary on the Making of Sofia Coppola’s Marie Antoinette Is Coming Soon

David Chase Sets LSD Film; New Updates on Quentin Tarantino, Wes Anderson, David Lowery, and Sacha Baron Cohen Projects

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

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