The Film Stage - Page 530

Radu Muntean on Întregalde, Humanitarian Hypocrisy, and the Mysteries of Nature

Romanian filmmaker Radu Muntean’s latest work, Întregalde, expertly plays with genre trappings to tell a grounded story of humanitarian impulses gone awry. Set...

The Criterion Collection’s June Lineup Includes Pink Flamingos, The Worst Person in the World, 4K Shaft & More

Hard to believe we're forecasting June, but rather than get into all that I'll say it's been nice seeing Criterion's 2022 lineup come into shape—a proper mix o...

SXSW Review: A Woman on the Outside is a Powerful Doc About Disrupting the System

When a family member is sentenced to prison it’s often their family that “does the time”—having one less mother, father, brother, sister to raise a child. This...

Exclusive Trailer for Srdan Golubović’s Berlinale Winner Father Captures a Journey of Perseverance

Premiering at Berlinale in 2020, where it picked up the Panorama Audience Award, Srdan Golubović's Father (aka Otac) is now set for a theatrical release beginn...

Writing with Fire Review: Inspiring Documentary Examines Courage Under Fire

It's sometimes easy to forget white supremacy is deeply rooted in religion, race being such a major component of its rise in America. Watching a film that depi...

NYC Weekend Watch: Kinuyo Tanaka, Lynchian, Mr. Klein, Manhunter & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Film at Lincoln Center A regular performer for Ozu, Mizoguchi, and Naruse, Kinuyo Tanaka...

Deep Water Review: The Erotic Thriller is Resurrected with Lurid, Unabashedly Horny Abandon

The tale of Deep Water’s production and release could have easily overshadowed the film itself. Marking the return of Adrian Lyne (Fatal Attraction, 9 ½ Weeks)...

SXSW Review: Apollo 10½ is a Warm, Wise, and Nostalgic Look at Growing Up in the Space Age

A delightful meditation on childhood in the summer of 1969 set literally in the shadows of NASA’s central operations in Houston, Richard Linklater’s contemplat...

Charlie McDowell on Windfall, Being Inspired by Classic Noirs, and Casting Against Type

With his third feature, Windfall, writer-director Charlie McDowell crafts a playful deconstruction of the heist movie. With no specific character names, Lily C...

Jane by Charlotte Review: A Daughter Studies Her Mother in Intimate Yet Unengaging Doc

Is it possible for a documentary to be too intimate? If the answer is affirmative, a prime example might be Jane by Charlotte, actress Charlotte Gainsbourg’s s...

News

Locarno Film Festival Unveils 2026 Lineup

Eleanor Coppola’s Documentary on the Making of Sofia Coppola’s Marie Antoinette Is Coming Soon

David Chase Sets LSD Film; New Updates on Quentin Tarantino, Wes Anderson, David Lowery, and Sacha Baron Cohen Projects

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

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