The festival seasons have been so crowded—blame a world-ending pandemic that pushes premiere after premiere into the same ten-day spans—that something as unifo...
Is it possible to stand out and disappear at the same time? Matt Damon makes a convincing case study in Stillwater. As roughneck Bill Baker, he wears the signi...
If Léa Seydoux was the queen of Cannes, Oscar Isaac is the king of Venice. Along with Denis Villeneuve's Dune and some episodes of his Bergman remake, the HBO ...
Next month's lineup at The Criterion Channel has been unveiled, featuring no shortage of excellent offerings. Leading the pack is a massive, 20-film retrospect...
After directing the finest film of last year with the astounding, Oscar-nominated documentary Time, director Garrett Bradley is heading into entirely new terri...
Welcome, one and all, to the latest episode of The Film Stage Show! Today, Brian Roan, Bill Graham, and Robyn Bahr are joined by Logan Kenny to discuss M. Nigh...
It's quite welcome that we're getting successive Pedro Almodóvar the past few years. After Pain & Glory and The Human Voice, his next feature, Madres Paral...
They had a plan. Wayland (Pablo Schreiber) would make as much money as he could running drugs for his local motorcycle club until he and high school sweetheart...
Taking place September 1 through 11, the Venice Film Festival has now unveiled its lineup, after a few teases of what it contains (the opening night selection ...
There is no such thing as a typical Jacques Audiard film. Take his last three as examples: in 2012 he captured the trauma-induced romance between a wayfaring f...