The Film Stage - Page 437

Leonor Will Never Die Review: A Meta-Textual Journey Through Filipino Cinema’s Past

Martika Ramirez Escobar’s creative and inspired debut Leonor Will Never Die employs a narrative trick à la Spike Jonze and Charlie Kaufman’s Adaptation. The st...

Nicolas Winding Refn Returns to Denmark with First Trailer for Copenhagen Cowboy

After enjoying quite an embrace in the first half of the 2010s, Nicolas Winding Refn has moved from the world of theatrical features to telling more extended s...

First Teaser for David Lowery’s The Green Knight-Inspired Short Film, Which Will Never Be Released Online

Following The Green Knight, David Lowery spent the pandemic crafting another Disney reimagining, after directing the only worthwhile one yet, Pete's Dragon. Ah...

Blood Relatives Review: Noah Segan’s Vampire Tale Delivers Familial Drama and Genre Hijinks

As a vampire without American identification, you could say Francis (Noah Segan) is an illegal immigrant regardless of the fact he's lived in the country longe...

The B-Side – Dylan O’Brien (with Billy Ray Brewton)

Welcome to The B-Side, from The Film Stage. Here we talk about movie stars! Not the movies that made them famous or kept them famous, but the ones they made in...

The Criterion Channel Unveil December Lineup: Screwballs, Westerns, Jafar Panahi & More

Holidays loom, but don't fear TBS marathons of A Christmas Story. If, like me, you once enacted some good and let studio classics stream on Criterion during fa...

Society is Collapsing in New Trailer, Poster & Full Score for Noah Baumbach’s White Noise

After hitting shelves over three decades ago, Don DeLillo's "unfilmable" masterpiece White Noise has now been adapted and ahead of this Friday's theatrical rel...

Everything Everywhere All at Once and TÁR Lead 2023 Film Independent Spirit Awards Nominations

Celebrating its 38th edition, the Film Independent Spirit Awards have unveiled their 2023 nominations, with the Daniels' Everything Everywhere All at Once lead...

TÁR Cinematographer Florian Hoffmeister on Striving for Originality and Todd Field’s Acute Visuality

If the memes and debates—not always so separate on a venn diagram—filling your timeline prove any metric, TÁR is the movie of this moment. It would be one thin...

James Cameron Says His Filmmaking Process is Exactly Like the “Smallest Independent Film”

We're now just a few weeks away from James Cameron's first feature in thirteen years and, as expected, the pre-release interview cycle is delivering the goods....

News

James Gray’s Paper Tiger Sets North American Premiere as Opening Night of the 64th New York Film Festival

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

The B-Sides of Christopher Nolan with Blake Howard

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

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