The Film Stage - Page 420

Are You There God? It’s Me, Margaret Trailer: The Edge of Seventeen Director Kelly Fremon Craig Adapts Judy Blume

After crafting not only one of the best coming-of-age films of recent years but directorial debuts as well with The Edge of Seventeen, director Kelly Fremon Cr...

NYC Weekend Watch: To Save and Project, Daddy Longlegs, Fred Ward & More

NYC Weekend Watch is our weekly round-up of repertory offerings. Museum of Modern ArtAlways a highlight of the repertory year, To Save and Project highlight...

Exclusive Trailer for The Blind Man Who Did Not Want to See Titanic Follows an Impaired Movie Lover’s Suspenseful Adventure

A week before James Cameron's 1997 box-office behemoth returns to theaters, we'll see the release of an acclaimed festival favorite in which his Best Picture w...

Skinamarink Review: Impressionistic Indie Spooker Seeks Nostalgia, Finds Monotony

“1995” declares a 1970s-style title card in the opening minutes of Kyle Edward Ball’s Skinamarink, a film presented in fake grain filters meant to suggest the ...

Nick Newman’s Top 10 Films of 2022

Following The Film Stage's collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. Just...

A Man Called Otto Review: Tom Hanks Leads a Remake with a Shallow, Small Heart

In Marc Forster’s A Man Called Otto, Tom Hanks plays a grump. He patrols his neighborhood with a scowl on his face, hoping to poke fun and ultimately subvert o...

Jena Malone Uncovers Sins of the Church in First Trailer for Christopher Smith’s Consecration

First landing on my radar with the back-to-back genre blasts Triangle and Black Death, director Christopher Smith is returning this year with Consecration. Led...

Francis Ford Coppola’s New Re-Edit & Restoration B’Twixt Now and Sunrise Arrives in February

As Francis Ford Coppola defends misguided reports of chaos on the set of his long-in-the-works, $100 million-plus epic Megalopolis, the director has also found...

Exclusive Trailer for Filmmakers for the Prosecution Explores the Search for Celluloid to Convict the Nazis

If a picture speaks a thousand words, then the power of film to convey an idea or feeling is simply boundless. Filmmakers for the Prosecution, a new documentar...

Caleb Hammond’s Top 10 Films of 2022

Following The Film Stage's collective top 50 films of 2022, as part of our year-end coverage, our contributors are sharing their personal top 10 lists. When...

News

The Criterion Collection’s October Lineup Features The Silence of the Lambs and Guillermo del Toro’s Frankenstein on 4K, Jerzy Skolimowski, and Samuel Fuller

Locarno Film Festival Unveils 2026 Lineup

Eleanor Coppola’s Documentary on the Making of Sofia Coppola’s Marie Antoinette Is Coming Soon

Trailers

Filipiñana Trailer: Rafael Manuel’s Jia Zhangke-Backed Sundance Winner Opens This August

Domhnall Gleeson Encounters a Strange Land In First Trailer for The Incomer

Tony Gilroy Returns in First Trailer for Behemoth!

Reviews

The Odyssey Review: Christopher Nolan’s Journey of Perpetual, Enervating Awe

The Kidnapping of Arabella Review: Offbeat Italian Road Trip Comedy

Night Nurse Review: A Perverse, Seductive Thriller

Features

NYC Weekend Watch: The Hole, Electronica, Gakuryu Ishii, Nicholas Ray & More

The Best Movies Now Playing in Theaters

New to Streaming: The Furious, City Wide Fever, Amores Perros, Camp & More

Interviews

Tsai Ming-liang on the Personal Inspiration of The Hole, Constant Evolution, and His Next Films

“How Do You Make a Contemporary Erotic Thriller”: Georgia Bernstein on Night Nurse and Catherine Breillat

David Wain on the Hard Work of Making Dumb Jokes

Podcasts

Yasmina Tawil on Progamming Hou Hsiao-hsien, David Fincher, Tom Tykwer & More for BAM’s Electronica Series

The B-Sides of Julia Roberts with Joe Reid

The B-Sides of Steven Spielberg with Bilge Ebiri

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